Arctic Dreams

My well-worn copy of Artic Dreams by Barry Lopez, Illustrated Cover designed by Alan Magee, Maps illustrated by David Lindroth, Photo Courtesy & Copyright Eric Newell
My well-worn copy of Artic Dreams by Barry Lopez
Illustrated Cover designed by Alan Magee
Maps illustrated by David Lindroth
Photo Courtesy & Copyright Eric Newell
“This is an old business, walking slowly over the land with an appreciation of its immediacy to the senses and what lies hidden in it.” -Barry Lopez, Arctic Dreams

Snowflakes
Photo Courtesy & Copyright Eric Newell
Snowflakes
Photo Courtesy & Copyright Eric Newell

Logan Canyon Tree
Photo Courtesy & Copyright Eric Newell Logan Canyon Tree
Photo Courtesy & Copyright Eric Newell

Logan Canyon Forest
Photo Courtesy & Copyright Eric Newell Logan Canyon Forest
Photo Courtesy & Copyright Eric Newell

Logan Canyon
Photo Courtesy & Copyright Eric Newell Logan Canyon
Photo Courtesy & Copyright Eric Newell

The snow came late this year. If it is a measuring stick, Beaver Mountain ski area, in Logan Canyon, did not open before Christmas for the first time since 1977. The lifts started turning the last day of 2025.

Every tree, every elk and deer, every squirrel, every insect, every living thing in the Bear River Mountains prepared for winter weeks, even months, ago. The whole range seemed to sit in eerie limbo, waiting for the snow to fly.

This past week, I found myself pondering the immense weight of the world in the midst of the first real winter storm of the season—at least for me. I looked up from my feet at millions of snowflakes descending upon me, crisscrossing one another in a flurry. I’m talking about giant conglomerate snowflakes. The kind that transform the sky into a straight-up dreamland. I felt pure delight.

The other day, I pulled Barry Lopez’s 1986 New York Times best seller, Arctic Dreams, from my bookshelf and browsed the passages I had highlighted or underlined 25 years ago. Until his death in 2020, Lopez wrote his books on an IBM Selectric III typewriter.

Lopez asked the questions, “How do people imagine the landscapes they find themselves in?” and “How does the land shape the imaginations of the people who dwell in it?”

I imagined each snowflake as gift from the Pacific. Tiny droplets of frozen water meandering to the ground. Each is part of an endless cycle of water, dating back to the origins of the earth. I wondered how long ago these snowflakes last fell free through the sky. How long did they spend in the depths of the ocean? Where will they go on their journey from here? And how did I happen to be in this place, with these snowflakes, in this moment in time?

Everything is temporary—a snowflake, a lifetime, human history, even geologic time.

In another passage Lopez wrote: “Because [humans] can circumvent evolutionary law, it is incumbent upon [us], say evolutionary biologists, to develop another law to abide by if [we] wish to survive…. [We] must learn restraint. [We] must derive some other, wiser way of behaving toward the land.”

To that I would add, we must also derive some other, wiser way of behaving towards one another because the greatest threat to humanity is, frankly, humanity. The biggest threat to life on earth isn’t the sun’s eventual demise or a rouge asteroid. It is us. Can we learn to live sustainably, and can we learn to understand and respect those who are different from ourselves?

Later, Lopez continues the thought:

“The cold view to take of our future is that we are therefore headed for extinction in a universe of impersonal chemical, physical, and biological laws. A more productive, certainly more engaging view, is we have the intelligence to grasp what is happening, the composure not to be intimidated by its complexity, and the courage to take steps that may bare no fruit in our lifetimes.”

That requires collective action.

As Oscar Schindler identified in Schindler’s List, power is when we have every justification to take, or to control, or to act on impulse, and we don’t. We refrain.

Each snowflake individually seems insignificant, but together, relentless by the millions, snow crystals pile up. They cover the ground, flock the trees, and settle into the gaps of my jacket. Their strength is in their numbers and their ability to bond with each other.

I imagine snow accumulating on a steep mountain. As the storm rages, the sheer weight of snow increases, one single snowflake at the time, until finally, one seemingly insignificant snowflake settles on the surface, and it is suddenly too much for buried weak layers to withstand. Then, “Whoomph!” The result is a spontaneous avalanche. Inertia is both a property of matter and a property of culture.

In the big scheme of geologic time and human history, each of us are insignificant. Yet the power of our collective consciousness and action is significant. We have the capacity to lesson our footprint on the earth and deepen our impact on one another through small gestures that accumulate like falling snow: To consume less, to care more, to increase our capacity to love and understand, to be both frugal and generous, to be curious rather than judgmental, to smile or laugh with a stranger or a friend.

I catch several snowflakes on my tongue, as I walk through the blizzard, trying to pick out the biggest ones—the ones that are barely able to cling together. Several snowflakes crash-land on my face. I blink them off my eyelashes. One flake that I miss, spirals as it falls faster than the others. Each snowflake feels like a blessing from above that represents some kind of hope. Hope that the rivers will swell to fill their banks in April and May; hope that high mountain springs will gush throughout summer, hope for renewal that comes with each spring, and yes, hope for humanity.

I am Eric Newell, and I am wild about Utah snow and the power of small gestures.

Credits:
Images: Courtesy & Copyright Eric Newell, Photographer
Featured Audio: Courtesy & Copyright © J. Chase and K.W. Baldwin
Text: Eric Newell, Edith Bowen Laboratory School, Utah State University
Additional Reading: Eric Newell

Additional Reading

Wild About Utah Pieces by Eric Newell

Links:
Caswell, Kurt, His Life Helped: In Memory of Barry Lopez, 1945-2020, Terrain.org, Terrain Publishing, January 11, 2021, https://www.terrain.org/2021/currents/his-life-helped/

Barry Lopez died on December 25th
The proselytiser for a different understanding of landscape and Nature was 75, The Economist Newspaper Limited, https://www.economist.com/obituary/2021/01/02/barry-lopez-died-on-december-25th

O’Connell, Nicholas, At One With The Natural World Barry Lopez’s adventure with the word & the wild, March 24, 2000, Commonweal Magazine, https://www.commonwealmagazine.org/one-natural-world-0

Beaver Mountain [Ski Resort], https://www.skithebeav.com/

Logan Avalanche Forecast Page, Utah Avalanche Center, https://utahavalanchecenter.org/forecast/logan

Reindeer Visit

Yuki the Reindeer from the Mountain West Animal Hospital. Courtesy & Copyright Mary Heers, Photographer
Yuki the Reindeer from the Mountain West Animal Hospital
Courtesy & Copyright Mary Heers, Photographer

Mary with Bluebell the Reindeer from the Rockin Reindeer Ranch at the Ogden City Christmas Square. Copyright Mary Heers Mary with Bluebell the Reindeer
from the
Rockin Reindeer Ranch
Ogden City Christmas Square
Copyright Mary Heers

I first time I came face to face with a living, breathing reindeer was a few weeks ago at the Reindeer Express hosted by Utah State University vet students. Two vets from the Mt. West Animal Hospital near Provo had brought two of their reindeer with them to Cache Valley and were standing by to answer our questions.

The first thing I learned was that both male and female reindeer grow a new set of antlers every year. The antlers are solid bone and can weigh up to 15 pounds. The males usually drop their antlers in Nov after the mating season, while the females keep theirs a few months longer – until after they drop their calves in the Spring. A vet student chimed in. He said reindeer losing their antlers looks a lot like us losing a baby tooth. The antlers get a little wobbly and simply fall off. The reindeer just keeps grazing.

Now I was hot on the trail of reindeer in Utah. I went to the Ogden City Christmas Square to meet Bluebell from the Rockin Reindeer farm near Ogden. As admirers were taking pictures, Bluebell’s owner told me that watching the antlers regrow could be pretty exciting. Every morning you could get up and easily see how the antlers had grown another inch overnight.

I also learned if you listened closely, you could hear a clicking when the reindeer walked. The first time they heard it, they thought something was terribly wrong. But all reindeer click when the tendon in their leg slides over a bone. Clicking seems to be a way for the herd to find each other in white-out winter weather.

Another adaptation to intense cold is the hair that covers every reindeer’s nose This helps keep it warm in the reindeers natural habitat in the far north.

I can trace my own fascination with reindeer to my childhood days when my father arranged for a friend of his to dress up as Santa and personally deliver a big white sack full of presents to our house. The fact that Santa rang our doorbell didn’t strike me as odd since we didn’t have a chimney. One Christmas Eve I was talking all day about how I would soon get to meet Santa’s reindeer. When the doorbell rang, I rushed to open the door. There was Santa with his big white sack. No reindeer.

“Where are the reindeer?” I asked.

“I left them down the street,” Santa said. “Let’s go see them after we open the presents. “

That did the trick. I forgot all about the reindeer.

But now that I’m older and wiser, I know that most male reindeer drop their antlers in Nov, while the females keep theirs a few more months. So the odds are very, very good that the Santa that rang my doorbell was driving an all-female dream team.

This is Mary Heers and I’m Wild About Utah

Credits:
Photos: Courtesy Mary Heers,
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Wild About Utah Postings

Heaps, Spenser, (The Daily Herald), Springville veterinarian and his reindeer find success, Salt Lake Tribune, June 6, 2015 https://archive.sltrib.com/article.php?id=2596124&itype=CMSID

Bott, Isaac, DocBott – Musings of a mixed animal veterinarian, https://docbott.org/

Rockin Reindeer Ranch, https://www.rockinreindeerranch.com/

Mourning Cloaks and Witchy Skies

Nora's embellished May Swenson poem: "Unconscious Came a Beauty," as a butterfly-A means to emphasize the butterfly poem subject. Poem copyright acknowledged-Photo Courtesy Shannon Rhodes
Nora’s embellished May Swenson poem: “Unconscious Came a Beauty,” as a butterfly
A means to emphasize the butterfly poem subject.
Poem copyright acknowledged
Photo Courtesy Shannon Rhodes
I’m sitting here today with first grader Nora Baggaley and USU student teacher Ashlyn Prince. Just steps away from where we spend our days at Edith Bowen Laboratory School on the campus of Utah State University, we find Swenson Park, built on the lot where May’s childhood home once stood. She spent her elementary school days here, she was a student at Utah State Agricultural College, and she moved east to become a writer. During her lifetime May Swenson wrote her way into fame by recording memories riding her willow horse, enjoying strawberry juice dripping down her chin, and describing the relationships that develop when a baseball bat, ball, and mitt meet. Eventually she became Chancellor of the Academy of American Poets. I love that she wrote shape poems about simple things like insects.

Insects? Did you say bugs? Coming into student teaching, I wasn’t too thrilled when I heard about the focus we have on bugs. From the beginning of the school year, we were already in the Logan River, digging out stonefly larva. By the second week, I was already writing a book for my students about why I do not like bugs. Here’s some of my book “Definitely NOT the Bug Girl.” I loved butterflies; they had beautiful wings. That was until I saw them closer. They looked an awful lot like grasshoppers with wings, and if you were paying attention, I hate grasshoppers! Why did I never think they were big, sticky, scary insects too? They did come from caterpillars…I should’ve known!”

Throughout the semester, from katydids flying at my head to being chased at recess with grasshoppers, I’ve grown to love the stories and discoveries the children have with bugs. Now today, I see a bug and instantly start to wonder: How did it get here? Where is it going? What would my students think about this? I could almost say I love bugs…

Mourning cloak butterfly (pinned), Courtesy & Copyright Don Rolfs 2010
Mourning cloak butterfly (pinned)
Courtesy & Copyright Don Rolfs 2010 https://wildaboututah.org/springs-earliest-butterflies/
Well, I love bugs.

Swenson’s “Unconscious Came a Beauty” captures an encounter with a butterfly. She isn’t certain about which kind of butterfly, so she offers two choices based on her descriptors. She must have been outside writing when one landed on her hand long enough for her to notice it, know it well enough to describe it.

I like how her words are in the shape of a butterfly and the wiggly way she typed the title.

When I wrote “Definitely NOT the Bug Girl,” Nora and her classmates encouraged me to include even more chapters about different kinds of insects. They wanted chapters of how I felt about roly polys, katydids, and ladybugs. I never really had an opinion about ladybugs. They were cute but a little frightening when they would fly. Finding them at recess became not so scary to me. Did you know they start their life as black and orange larvae?

How’s this for a poem inspired by May’s shape poem?
Hungry crawls a lady bug larva
To our recess rock riddled with yellow aphids dots
And stopped our games
Orange-striped black
Alligator-wiggling on its six legs
We sat wondering, and Asher brought one to class
Where it crept out overnight as a familiar friend.

Aurora Borealis from Logan Utah
Courtesy & Copyright Shannon Rhodes, Photographer
Aurora Borealis from Logan Utah
Courtesy & Copyright Shannon Rhodes, Photographer
Besides bugs, did you know May also wrote about space topics we know, like astronaut landings, gibbous moons, shadows, and her ghost moon? She called it, “the albino bowl on cloth of jet.”

In November, every student, and teacher, was given a nature journal paper to observe the full moon that night. Sadly, the sky was full of clouds and only a faint glow was visible. Amazingly enough though, we could see the northern lights a few days later! It was a beautiful sight, and made up for missing the November Beaver Moon.

 

 

 

Night Sky Nature Journal Entries by Ashlyn and Nora
Courtesy & Copyright Shannon Rhodes, Photographer
Night Sky Nature Journal Entries by Ashlyn and Nora
Courtesy & Copyright Shannon Rhodes, Photographer

This is a two-voice poem we call “Witchy Sky.”
The beaver moon reminds me of cotton candy in the dark.
         It reminds me of a flashlight shining through my finger.
The northern lights are Glinda and Elphaba.
         I notice a lot of thick clouds.
I can’t really see the shape of the moon in the clouds but still it glows through them.
I wonder what does the moon feel like?
         How bright would the sky have been if there were no clouds tonight?

May Swenson remembered classmates folding paper airplanes and releasing them in the classroom when their teachers’ backs were turned. In a clip from a 1969 recording “Poetry Is Alive and Well and Living in America,” she says, “My poems sail away like that, I don’t know who picks them up, who may be reading them. It’s lovely to think that people are reading my things, especially that they are being stimulated to write their own poems.”

Don’t worry, May. We are inspired by your Mourning Cloak, Ashlyn’s aphid-eaters, Nora’s night sky auroras, and students, young adult and age 6, immersed in words every day.

This is Nora Baggaley, Ashlyn Prince, and Shannon Rhodes, and we are Wild About Utah, May Swenson, night sky poetry, and of course, bugs.
Well, maybe bugs.

Nora, Shannon & Ashlyn in the Studio
Courtesy & Copyright Stu Baggaley, Photographer
Nora, Shannon & Ashlyn in the Studio
Courtesy & Copyright Stu Baggaley, Photographer

Credits:

Images: Classroom art Courtesy & Copyright Shannon Rhodes, Photographer
         Mourning cloak butterfly (pinned), Courtesy & Copyright Don Rolfs
         Nora, Shannon and Ashley in the UPR Studio, Courtesy & Copyright Stu Baggaley
Audio: Courtesy & © Friend Weller, https://upr.org/
Text & Voice:     Shannon Rhodes, Nora Baggaley, and Ashlyn Prince, Edith Bowen Laboratory School, Utah State University https://edithbowen.usu.edu/
Additional Reading Links: Shannon Rhodes

Additional Reading:

BEETLES Project, The Regents of the University of California, https://beetlesproject.org/resources/for-field-instructors/notice-wonder-reminds/

Hellstern, Ron. June Fireflies, Wild About Utah, June 19, 2017, https://wildaboututah.org/june-fireflies/

Ross, Fran, 1969. Poetry is Alive and Well and Living in America. https://www.youtube.com/watch?v=TaKRjiqGizQ&t=1s

Spencer, Sophia with Margaret McNamara. Bug Girl: A True Story. https://www.amazon.com/Bug-Girl-True-Story/dp/0525645934

Strand, Holly. May Swenson, Wild About Utah, April 14, 2009, https://wildaboututah.org/may-swenson-a-utah-poet-and-observer-of-nature/

Swenson, May. Unconscious Came a Beauty. Poets Speak, https://www.youtube.com/watch?v=VO6LSVzBTKs&t=6s

Tevela, Irina. May Swenson in Space, Washington University in St. Louis, July 19, 2019, https://library.washu.edu/news/may-swenson-in-space/

Sugar Beets and German POWs in Cache Valley

Abandoned Sugar Beet Factory, Weston near Franklin, ID
Courtesy & Copyright Mary Heers, Photographer
Abandoned Sugar Beet Factory, Weston near Franklin, ID
Courtesy & Copyright Mary Heers, Photographer
When I started teaching at Preston High School, one of the first books my English class read was The Diary of Anne Frank. I remember asking the class if they had any family stories of their own to share about those war years. A young woman raised her hand and said her grandparents had a painting on their wall that had been given to them by a German Prisoner of War. This POW had worked on their Cache Valley sugar beet farm in 1945. He’d signed the painting, and had written a few words of thanks on the back for the kind treatment he had received

I was astounded. German POW’s in Cache Valley? This led me to ask more questions.

I found out in 1945 there were close to 400 German POWs living in tents in a work camp at the Cache Valley Fairgrounds. Local farmers contracted with the US Government to hire the POWs to work in the fields for 80 cents a day.

Each morning the prisoners would get loaded into trucks and driven to a sugar beet field. The work day didn’t end until 8 pm when the prisoners returned to the Fairgrounds, damp and chilled, from the ride in the open bed trucks.

Sugar Beet Knives
Courtesy & Copyright Mary Heers, Photographer
Sugar Beet Knives
Courtesy & Copyright Mary Heers, Photographer
In 1945, sugar beets were a profitable crop, but labor intensive. In the Spring, the beets needed to be thinned and weeded. This work was done by a short handled hoe. In the Fall, the beets needed to be pulled out of the ground. This was done by a special beet knife with a big fish hook on the end. Once pulled out of the ground, the top leaves were sliced off and the beets tossed into a pile bound for the sugar factory.

At the peak of sugar beet farming in and around Cache Valley, there were 5 sugar factories operating. But by 1945 the factories were down to two – one located in Lewiston, and the other in Whitney, near Preston.

Native Americans came from Arizona to work the beets and set up their colorful teepees in downtown Lewiston. High school students were let out of school for 2-3 weeks in the Fall to work during what were called “Harvest Vacations.”

A friend of mine in Preston told me about a young man who went off the college in the Fall of 1945, but came home after a week. His father handed him a sugar beet knife and told him if he wasn’t going to go to college, he was going to work in the fields.

Everyone I met who once worked in the sugar beet fields told me all the work of thinning and harvesting needed to be done while bent over, and the resulting back pain was terrible.

Of all the stories I heard, my favorite was one of a Logan beet farmer who took his 3-year-old daughter with him to check on the work being done by the POWs he had hired. One day, he looked up and saw one of the German POWs holding his little girl in his arms. The farmer took his little girl by the hand, but the POW didn’t let go. A guard came running over. But both men stopped when they saw the tears running down the POW’s face. Somewhere, many miles away, they realized this German POW had a little girl of his own that he may or may not ever see again.

Today, all the POWs have long gone, as well as the local sugar beet farms. But if you drive north on Highway 89, just before you get to Preston, you can see the remains of the Whitney sugar beet factory. These huge crumbling buildings stand as a reminder that sugar beets were once king in Cache Valley.

This is Mary Heers and I’m Wild About Utah.

Credits:

Images Courtesy & Copyright Mary Heers, Photographer
Featured Audio:
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Mary Heers & Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Postings

Powell, Allan Kent, Splinters of a Nation: German Prisoners of War in Utah (UTAH CENTENNIAL SERIES), University of Utah Press, January 1, 1990, https://www.amazon.com/Splinters-Nation-German-Prisoners-CENTENNIAL/dp/0874803306/ref=sr_1_1

Radford, Alexandria, The Old Sugar Beet Factory, Medium, Oct 7, 2021, https://medium.com/mind-talk/the-old-sugar-beet-factory-2e4b26f906d6

Arrington, Leonard J, Beet Sugar in the West A History of the Utah Idaho Sugar Company 1891-1966 University of Washington, 1966, https://www.amazon.com/-/he/Leonard-J-Arrington/dp/029574037X