The Magic of Fire!

A bison seems unaware of the smoke plume from the American Elk Prescribed Fire behind it. Courtesy US National Park Service (NPS)
A bison seems unaware of the smoke plume from the American Elk Prescribed Fire behind it.
Courtesy US National Park Service (NPS)
The magic of fire! The magic of trillions of highly excited electrons giving us heat, light, comfort, and excitement- seen in the dancing eyes of my grandchildren. My high school chemistry students were all pyromaniacs. “Mr. Greene, are we going to burn something today?” a common refrain as they entered the classroom. A community fire becomes the center of our family and student campouts, where stories unfurl, along with hot dogs and marshmallows.

Recently attending a “Forest and Fire” panel at USU sparked my interest and ignited my curiosity on how indigenous peoples around the globe have altered our terrestrial landscapes. According to archeologists, fire melded with various homo species sometime in the smoky past between 1.7 – 2 million years ago, long before homo sapiens emerged only 300,000 years ago.

Smoke roils from 2012 wildfire in Utah. Photo by U.S. Forest Service.
Smoke roils from 2012 wildfire in Utah. Photo by USDA Forest Service.
Every natural ecosystem on land has its own fire regime, and the organisms in those ecosystems are adapted to or dependent upon those regimes. Fire creates a mosaic of different habitat types, each at a different stage of succession. Various species of plants, animals, and microbes specialize in exploiting a particular stage, and by creating these different biotic communities, fire allows a greater number of species to exist within a landscape. We humans continue to have a profound influence on these fire regimes.

Native peoples around the globe used fire to clear areas for crops and travel, to manage the land for specific species of both plants and animals, to hunt game, and for many other important uses. Fire was a tool that promoted ecological diversity and reduced the risk of catastrophic wildfires. “Cultural burning” refers to the Indigenous practice of “the intentional lighting of smaller, controlled, “cool” burns to provide a desired cultural service, such as promoting the health of vegetation and animals that provide food, clothing, and for ceremonial purposes. By burning an area in the fall, bison could be excluded by removing forage used during the winter months. In the spring, the areas burned in the fall would have excellent grazing and provide good hunting for bison and other game species.

Cultural burns have benefited both land and people, by improving soil quality and creating a healthy and resilient landscape. Some tribes in the western states used fire to ensure growth of straight and slender types of specific plants used for making woven baskets, or to provide habitat for certain bird species whose feathers were used for ceremonial dress.

Unfortunately, we have lost much of this ancient wisdom. Combined with a human induced warming planet, we have created raging, “hot” wildfires that scorch the earth, which unleash severe negative impacts on the natural order.

Thankfully, now there is better understanding that the Indigenous peoples’ tradition of human-ignited burns is a valuable way to reduce out of control wildfires. Traditional ecological knowledge is being incorporated more into modern management. This increased understanding of Indigenous traditions has led to many partnerships between Tribal, state, and Federal governmental agencies, with the goal of reintroducing cultural burns in many parts of the United States.

This is Jack Greene for Bridgerland Audubon Society & I’m wild about indigenous wildfire wisdom!

Credits:

Images: Courtesy Pixabay, Michael Haderer a.k.a. haderer17, contributor
Featured Audio: Courtesy & Copyright Kevin Colver, https://wildstore.wildsanctuary.com/collections/special-collections and
Anderson, Howe, and Wakeman..
Text & Voice: Jack Greene, Bridgerland Audubon, https://bridgerlandaudubon.org/
Additional Reading Links: Jack Greene & Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading:

Wild About Utah Pieces by Jack Greene, https://wildaboututah.org/author/jack/

Abrahamson, Ilana L. 2013. Fire regimes in Hawai’ian plant communities. In: Fire Effects Information System, [Online]. U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, Fire Sciences Laboratory (Producer). https://www.fs.usda.gov/database/feis/fire_regimes/Hawaii/all.html

CKST (Confederated Salish and Kootenai Tribes). 2021. Fire on the Land: Native People and Fire in the Northern Rockies. Confederated Salish and Kootenai Tribes, Division of Fish, Wildlife, Recreation & Conservation. http://fwrconline.csktnrd.org/Fire/index.html

Natcher, David C., et al. “Factors Contributing to the Cultural and Spatial Variability of Landscape Burning by Native Peoples of Interior Alaska.” Ecology and Society, vol. 12, no. 1, 2007. JSTOR, http://www.jstor.org/stable/26267834. Accessed 15 Mar. 2026.

David C. Natcher. “Implications of Fire Policy on Native Land Use in the Yukon Flats, Alaska.” Human Ecology, vol. 32, no. 4, 2004, pp. 421–41. JSTOR, https://www.jstor.org/stable/4603529. Accessed 15 Mar. 2026.

Panek, D. and Kipfmueller, K. 2021. Apostle Islands 50th Anniversary Resource Stewardship Symposium. Day 1. April 1, 2021. https://friendsoftheapostleislands.org/2021/04/01/past-present-and-future-of-fire-in-the-apostle-islands/

Roos, Dave. 2020. Native Americans Used Fire to Protect and Cultivate Land. Indigenous people routinely burned land to drive, prey, clear underbrush and provide pastures. https://www.history.com/news/native-american-wildfires

White, G., Rockwell, D., and McDuff, E. 2021. Embracing Indigenous Knowledge to Address the Wildfire Crisis. U.S. Department of the Interior, Office of Wildland Fire. https://www.doi.gov/wildlandfire/embracing-indigenous-knowledge-address-wildfire-crisis

Avitt, Andrew, Tribal and Indigenous Fire Tradition, Fire & Aviation Management, USDA Forest Service, November 16, 2021, https://www.fs.usda.gov/about-agency/features/tribal-and-indigenous-fire-tradition

Outdoor Public Art Retells Utah’s Golden Spike Story

Golden Spike Visiting Logan, Douwe Blumberg, Artist Courtesy & Copyright Mary Heers, Photographer
Golden Spike Visiting Logan,
Douwe Blumberg, Artist
Courtesy & Copyright Mary Heers, Photographer

Locomotive Advancing within Buffalo Eye Douwe Blumberg, Artist Courtesy & Copyright Mary Heers, Photographer Locomotive Advancing In Buffalo Eye
Douwe Blumberg, Artist
Courtesy & Copyright Mary Heers, Photographer

 “Distant Thunder,”
Michael Coleman, Artist
at Golden Spike National Monument
Courtesy & Copyright Mary Heers, Photographer

Monument to their Memory, Ilan Averbuch, Artist, Golden Spike State Park at Reeder Ranch, Brigham City, UT, Photo Courtesy & Copyright Mary Heers, Photographer Monument to their Memory
Ilan Averbuch, Artist
Golden Spike State Park at Reeder Ranch, Brigham City, UT
Photo Courtesy & Copyright Mary Heers, Photographer

Early this spring, a semi-truck with a long flat bed pulled into the USU parking lot next to the cemetery and parked. Lashed down firmly on the flat bed was a giant railroad spike, covered in gold leaf and very impressive to see from a distance. But walking up to it, I could see it was covered in sculptured forms. There was an Indian astride a horse; the shaggy head of a buffalo. But what really caught my attention was the close up of the buffalo eye staring right at me. Reflected in the pupil was a steam engine, coming down the tracks, right at me. I felt the chill of the inevitable crash.

The train brought hunters with guns, hide hunters who killed and took only the hides, shipping them by the bale to industries back east. When there were no more buffalo to be shot, they collected the bones and shipped them to St Louis to be crushed into fertilizer. You could see the crash coming, and knew it would be devastating – to the buffalo and the Indians whose livelihood depended on them.

Walking around to the other side of the spike, I found a very different story. Here were the laborers who had laid down the Transcontinental tracks – the Chinese, the Irish, the Civil War veterans, the Mormon graders- Each standing proudly on the other’s shoulders, all the way to the top. I breathed in the nobility of these men for a difficult job well done.

This giant golden spike’s final home will be standing upright in a 23 acre public park in Brigham City, close enough to the Forest Street exit to be visible from I-15. Until then, we are going to have to wait to see the final two sides of the spike.

But in the meantime, there is another new art piece to go see outside the Golden Spike National Park at Promontory Point.

As I pulled into this parking lot, I was astonished to see a massive chunk of railroad track, rising up from the ground and curving slightly to a vanishing point in the sky.

I was reminded of a conversation I’d has few years ago, when I was collecting train stories, with a man who had once had a summer job hammering spikes on a railroad crew. He was fifteen- half the age and half the size of the other men. But he caught the rhythm.

Tap the spike into place. Swing in the spike maul. One, two, three. Pick up the next spike.

This story helped me understand the restless energy I felt looking at the track sculpture – one more tie, one more rail, one more spike. Repeat. These tracks were going where no tracks had gone before.

Outdoor public art can be storytelling at its very best.

And now a footnote for the engineers listening in: The giant golden spike is actually 43.2319 feet tall. That’s because 43.2319 is the square root of 1869.

This is Mary Heers and I’m Wild About Utah

Credits:

Images Courtesy & Copyright Mary Heers, Photographer
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org & Cook Laboratories https://folklife.si.edu/archives-and-resources/cook-labs-records
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Postings

Swanson, Kirsten, Heers, Mary, Ride the rails: A storytelling exploration of Utah’s early railroad, Utah Public Radio, May 18, 2022 at 9:12 AM MDT, https://www.upr.org/arts-and-culture/2019-05-10/ride-the-rails-a-storytelling-exploration-of-utahs-early-railroad

Golden Spike Monument by Douwe Blumberg, Golden Spike State Monument, The Golden Spike Foundation (GSF), https://spike150.org/park/

Driving of the Spike Tour, News, Douwe Studios, October 24, 2023, https://www.douwestudios.com/news

Hislop, Craig, Golden Spike monument coming to USU Tuesday, Cache Valley Daily, Apr 26, 2024, https://www.cachevalleydaily.com/news/golden-spike-monument-coming-to-usu-tuesday/article_ee1eb334-0376-11ef-b19c-c725f46266d9.html

Williams, Carter, Utah gets $1.5M donation as it unveils more plans for new golden spike monument, KSL.com, April 11, 2024 at 7:47 p.m. https://www.cachevalleydaily.com/news/golden-spike-monument-coming-to-usu-tuesday/article_ee1eb334-0376-11ef-b19c-c725f46266d9.html

Don’t Confuse these two places. The Golden Spike National State Park is 30 miles West of the “Gateway” Golden Spike State Monument at Reeder Ranch in Brigham City
Golden Spike National Historic Park, US National Park Service, US Department of the Interior, https://www.nps.gov/gosp/index.htm

S.C.R. 6 Concurrent Resolution Creating the Golden Spike State Monument, Utah State Legislature, Signed March 13, 2024, https://le.utah.gov/~2024/bills/static/SCR006.html

“Distant Thunder” Sculpture at Golden Spike National Historical Park Honors Bison’s Past, https://www.nps.gov/articles/000/golden-spike-national-historical-park-distant-thunder.htm

Wuda Ogwa

Wuda Ogwa: A Labor of Love and Healing at Wuda Ogwa, Courtesy & © Mehmet Soyer, Photographer
A Labor of Love and Healing at
Wuda Ogwa
Courtesy & Copyright © Mehmet Soyer, Photographer

A moment of reflection, Shoshone tribal leader Darren Parry at Wuda Ogwa, Courtesy & © Melanie Parry, Photographer A moment of reflection
Shoshone tribal leader Darren Parry at Wuda Ogwa
Courtesy & Copyright © Melanie Parry, Photographer

Perhaps you’ve heard of the Bear River Massacre where on a frigid winter morning in January, 1863, over 400 native lives were lost, mostly women, children, and elderly, slaughtered by the U.S. government. I’ve become well acquainted with the site where this horrible tragedy occurred, a beautiful reach of the Bear River a few miles northwest of Preston Idaho. I’ve volunteered to record birds on their near 600 acres of land, which the Northwest band of Shoshone’s had purchased several years ago. Diversity of bird species is an excellent indictor of the habitat health they rely on.

Tribal elder Darren Parry is hoping to acquire funds for a cultural interpretive center which would tell the story of this sacred land and its people, along with an amphitheater for powwows and other educational and traditional activities. Wuda Ogwa, Shoshone words for Bear River, will become an outstanding education center woven into it’s cultural and spiritual significance.

Darren has gathered many nontribal interests as well, to bring the land back to what it may have been before various agricultural practices caused radical changes from what it once was. Exotic Russian olive trees have invaded many acres of the flood plain. The Utah Conservation Corps has removed substantial amounts, some burnt down and pyrolyzed to form charcoal to be used as a soil amendment. Cattle grazing will be phased out to allow better control of exotic species.

As I approached an open field cleared of Russian olive, hundreds of seedling native plants had been strewn over the open ground awaiting for shovels and spades. Cottonwood, willow, dogwood, golden current, choke cherry, service berry, wild rose. It was overwhelming. How could such an immense quantity of plants ever find a hole? And we were only a small part of the land to be treated.

As I scanned the fields, it became apparent this might just be possible. Hundreds had come- Ogden, Salt Lake, Provo, and our own valley, an army of very different colors from that of 163 years ago. We had come to heal the land, to offer some retribution for those whose bones had once littered some of these same grounds.

“Yesterday, we met as a group of 400 people who took part in another step of the process. We planted thousands of trees and plants that were once sacred to the area. We took a giant step towards healing as a People, as a community, and as a nation. We could not have done this alone. We will continue to hold these events for the next few years to come.” Darren Parry
I look forward to seeing the fruits of our labor, to see a flourishing forest and meadows of native plants, and a flourishing community of Native people to celebrate the rebirth of their ancestors in the living tissue of these new arrivals, which in turn will provide a rich habitat for birds and a plethora of additional life forms.

This is Jack Greene for Bridgerland Audubon Society, and I’m wild about healing wild spaces and the souls they nurture.

Credits:
Images: A moment of reflection, Shoshone tribal leader Darren Parry at Wuda Ogwa, Courtesy & © Melanie Parry, Photographer and
A Labor of Love and Healing at Wuda Ogwa, Courtesy & © Mehmet Soyer, Photographer https://chass.usu.edu/sociology/directory/mehmet-soyer
Audio: Courtesy & © J. Chase and K.W. Baldwin, https://npr.org/ and Kevin Colver, https://wildstore.wildsanctuary.com/collections/special-collections
Text: Jack Greene, Bridgerland Audubon, https://bridgerlandaudubon.org/
Additional Reading: Lyle W Bingham, Webmaster, and Jack Greene, Author, Bridgerland Audubon, https://bridgerlandaudubon.org/

Additional Reading:

Other Wild About Utah Pieces by Jack Greene

Marchant, Brock, ‘Knowledge keeper and storyteller’: Darren Parry selected as The Herald Journal’s 2022 Resident of the year, The Herald Journal, January 27, 2023, https://www.hjnews.com/news/local/knowledge-keeper-and-storyteller-darren-parry-selected-as-the-herald-journals-2022-resident-of-the/article_d64af090-9ebb-11ed-b7f8-73242930a463.html

Parry, Darren, The Bear River Massacre: A Shoshone History, Common Consent Press, November 29, 2019, https://www.amazon.com/Bear-River-Massacre-Shoshone-History/dp/1948218194/

Wuda Ogwa, Northwestern Band of the Shoshone Nation, https://wudaogwa.com/
Boa Ogoi (Wuda Ogwa) Cultural Interpretive Center, Northwestern Band of the Shoshone Nation, https://www.nwbshoshone.com/boa-ogoi-cultural-interpretive-center-1/
Northwestern Band of the Shoshone Nation, https://www.nwbshoshone.com/

“This site has also been known as the Bear River Massacre, and as Boa Ogoi. The tribe officially uses the term Wuda Ogwa, a direct translation of Bear River.”

[Last Paragraph: Gilbert, Lael, Reclaiming Sacred Space: QCNR Students Assist in Restoration at Wuda Ogwa Site, Today, Utah State University, November 09, 2023 https://www.usu.edu/today/story/reclaiming-sacred-space-qcnr-students-assist-in-restoration-at-wuda-ogwa-site

Utah Insight: Water Restoration Project, PBS Utah

Solar Eclipses-A look into the skies

Solar Eclipses: Mary and Family Viewing the Eclipse Courtesy & © Mary Heers, Photographer
Mary and Family Viewing the Eclipse
Courtesy & © Mary Heers, Photographer

Photo of Her 2013 T-shirt
Courtesy & Copyright Mary Heers, Photographer, T-Shirt image Copyright 2012 Betchart Expeditions Inc. Photo of Her 2013 T-shirt
Courtesy & Copyright Mary Heers, Photographer
T-Shirt image Copyright 2012 Betchart Expeditions Inc.

Photo of Her 2013 T-shirt
Courtesy & Copyright Mary Heers, Photographer, T-Shirt image Copyright 2012 Betchart Expeditions Inc. Photo of Her 2013 T-shirt
Courtesy & Copyright Mary Heers, Photographer
T-Shirt image Copyright 2012 Betchart Expeditions Inc.

When I looked up at the cloudy sky on October 14, I was dismayed. I was so looking forward to watching the partial solar eclipse, predicted to be at its height at 80% in Cache Valley at 10:15. Now the sun was hidden behind heavy clouds. Refusing to give up all hope, I slipped my eclipse glasses into my pocket and headed up a hiking trail on the Wellsville mountains. At 10:10 I stopped on an open ledge, put the glasses on, and looked up into the sky.

I saw nothing but absolute, total black.

I waited a few minutes. I put the glasses back on.

This time I saw the darkness thinning. And behold! A golden croissant appeared in the black sky.

In very slow motion, the moon continued to slide across this glowing crescent, reducing it to a thin golden semi-circle.

It was spellbinding for me because this partial eclipse was so different from the 3 total eclipses I’d already seen. This time my attention was on the big black moon rock sailing slowly across a spot of light. In the past, watching a total eclipse was all about the sun disappearing.

My first eclipse was in 1961. My high school physics teacher had taken us on an all-night bus ride. In the morning, the bus pulled over in an olive grove. I will never forget how the color drained out of the countryside. The birds stopped singing. We felt the chill as the temperature dropped.

My second total eclipse was on a ship in the middle of the Atlantic Ocean. We were on course to intercept the path of totality when it started raining. The shop’s captain gunned the engines and somehow found a bit of open sky. We counted down: 3,2,1, Zero! The sun disappeared and the stars came out. We took off our glasses. We held our breath. And then a tiny spot of hot sun poked out on the the sun’s aurora, and what looked like a giant engagement ring spread across the sky.

My third eclipse was near the Grand Tetons in 2017. This time I was fascinated by the small crescents of sunlight shadows dancing across my shoes.

In ancient times, the temporary extinguishing of the sun caused quite a bit of fear. The Chinese thought a giant dragon was taking bites out of the sun. They beat drums to drive the dragon away. In other countries, warriors shot flaming arrows into the sky to reignite the lost fireball.

We still have much to learn about the moon, the sun, the stars, and beyond. But what I learned this year was that the sun is 400 times the size of the moon. The moon is 390 times closer to the earth. This allows the sun and moon to appear to us to be the about same size. So, when the moon slides between us and the sun, sometimes it covers it completely. But when the moon is at its farthest from the earth, it leaves the fiery edges of the sun exposed – the Ring of Fire.

It’s a math problem with moving parts, but mathematicians can predict exactly when the next total eclipse will be visible in North America.

Set your calendar for April 8, 2024.

This is Mary Heers and I’m Wild About Utah.

Credits:

Photos: Courtesy & Copyright Mary Heers. T-shirt image © 2012 Betchart Expeditions Inc.
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Postings

“Some Tribes are allowed to view the eclipse while others, like the Navajo and Ute Indian Tribes, do not look at it. This can include reflections (water, mirrors, windows, etc.) or photos.

Please avoid posting videos or photos of the eclipse on social media – some Tribes are forbidden to look at the eclipse, including images and videos…”
2023 Annular Eclipse, San Juan County Economic Visitor Services, https://www.utahscanyoncountry.com/2023_annular_eclipse

Strand, Holly, Ring of Fire, Wild About Utah, May 17, 2012, https://wildaboututah.org/ring-of-fire/

Eclipses, NASA, https://science.nasa.gov/eclipses/

2023 Solar Eclipse, NASA, https://science.nasa.gov/eclipses/future-eclipses/eclipse-2023/

[Future Eclipses] April 8, 2024, Solar Eclipse, NASA, https://science.nasa.gov/eclipses/future-eclipses/eclipse-2024/

2023 Annual Eclipse, Bryce Canyon National Park, National Park Service, US Department of the Interior, https://www.nps.gov/brca/planyourvisit/2023-annular-eclipse.htm

Annular Solar Eclipse, October 14, 2023, Capital Reef National Park, National Park Service, US Department of the Interior, https://www.nps.gov/care/planyourvisit/annular-solar-eclipse.htm

Atlantic Crossing Total Eclipse 2013, Betchart Expeditions Inc.,
Webpage: https://www.solareclipsetrips.com/europe_atlantic2013.htm
Mailer: https://www.solareclipsetrips.com/pdf_files/atlantic_cros_final_1300_01x.pdf
Memorable Images: https://www.betchartexpeditions.com/trav_atlantic_crossing2013.htm