Reindeer

Yuki the Reindeer from the Mountain West Animal Hospital. Courtesy & Copyright Mary Heers, Photographer
Yuki the Reindeer from the Mountain West Animal Hospital
Courtesy & Copyright Mary Heers, Photographer

Mary with Bluebell the Reindeer from the Rockin Reindeer Ranch at the Ogden City Christmas Square. Copyright Mary Heers Mary with Bluebell the Reindeer
from the
Rockin Reindeer Ranch
Ogden City Christmas Square
Copyright Mary Heers

I first time I came face to face with a living, breathing reindeer was a few weeks ago at the Reindeer Express hosted by Utah State University vet students. Two vets from the Mt. West Animal Hospital near Provo had brought two of their reindeer with them to Cache Valley and were standing by to answer our questions.

The first thing I learned was that both male and female reindeer grow a new set of antlers every year. The antlers are solid bone and can weigh up to 15 pounds. The males usually drop their antlers in Nov after the mating season, while the females keep theirs a few months longer – until after they drop their calves in the Spring. A vet student chimed in. He said reindeer losing their antlers looks a lot like us losing a baby tooth. The antlers get a little wobbly and simply fall off. The reindeer just keeps grazing.

Now I was hot on the trail of reindeer in Utah. I went to the Ogden City Christmas Square to meet Bluebell from the Rockin Reindeer farm near Ogden. As admirers were taking pictures, Bluebell’s owner told me that watching the antlers regrow could be pretty exciting. Every morning you could get up and easily see how the antlers had grown another inch overnight.

I also learned if you listened closely, you could hear a clicking when the reindeer walked. The first time they heard it, they thought something was terribly wrong. But all reindeer click when the tendon in their leg slides over a bone. Clicking seems to be a way for the herd to find each other in white-out winter weather.

Another adaptation to intense cold is the hair that covers every reindeer’s nose This helps keep it warm in the reindeers natural habitat in the far north.

I can trace my own fascination with reindeer to my childhood days when my father arranged for a friend of his to dress up as Santa and personally deliver a big white sack full of presents to our house. The fact that Santa rang our doorbell didn’t strike me as odd since we didn’t have a chimney. One Christmas Eve I was talking all day about how I would soon get to meet Santa’s reindeer. When the doorbell rang, I rushed to open the door. There was Santa with his big white sack. No reindeer.

“Where are the reindeer?” I asked.

“I left them down the street,” Santa said. “Let’s go see them after we open the presents. “

That did the trick. I forgot all about the reindeer.

But now that I’m older and wiser, I know that most male reindeer drop their antlers in Nov, while the females keep theirs a few more months. So the odds are very, very good that the Santa that rang my doorbell was driving an all-female dream team.

This is Mary Heers and I’m Wild About Utah

Credits:
Photos: Courtesy Mary Heers,
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Wild About Utah Postings

Heaps, Spenser, (The Daily Herald), Springville veterinarian and his reindeer find success, Salt Lake Tribune, June 6, 2015 https://archive.sltrib.com/article.php?id=2596124&itype=CMSID

Bott, Isaac, DocBott – Musings of a mixed animal veterinarian, https://docbott.org/

Rockin Reindeer Ranch, https://www.rockinreindeerranch.com/

Dinosaurs in Our Past

Dinosaurs in our past: Dinosaur Footprint Cast, The Prehistoric Museum, USU Eastern Campus, Price, UT Courtesy Mary Heers, Photographer
Dinosaur Footprint Cast
The Prehistoric Museum,
USU Eastern Campus, Price, UT
Courtesy Mary Heers, Photographer

Dinosaur Footprint Display, The Prehistoric Museum, USU Eastern Campus, Price, UT  Courtesy Mary Heers, Photographer Dinosaur Footprint Display
The Prehistoric Museum,
USU Eastern Campus, Price, UT
Courtesy Mary Heers, Photographer

When I saw my first giant dinosaur footprint a the Natural History Museum of Utah, I said it was terrific.

“Dime a dozen, “ said my father-in-law, who was standing next to me. “The ceiling of the coal mine is littered with them.”

My ears perked right up. “Really,?” I said. “Maybe I could get one?”

As a young mining engineer right out of college, my father in law had been hired to run the Sunnyside coal mine about 25 miles outside of Price. He went on to explain that it was impossible to take a footprint out of the mine ceiling with risking bringing the whole roof down on your head. I had to agree it sounded difficult, but that didn’t stop me from sighing and saying, “I sure would like a dinosaur footprint for Christmas. “

In the end, he compromised by arranging a trip into the mine to see the footprints.

So, on a day no one was working in the mine, we climbed into the low riding miner’s car that carried us deep, deep into the heart of the mountain. When we got to the face we stopped and got out. In the dim light of our headlamps I could see we were in a huge cavernous room with massive pillars of coal, seven feet high and almost as wide, holding up the roof. And then I looked up and saw them – three toed footprints pressed down into the ancient mud that had turned into coal millions of years ago. Whole families of dinosaurs had strolled through this prehistoric swamp, leaving big prints, as long as two feet, and small ones, as small as six inches.

I found out later that the preservation of these footprints was a happy accident of sand filling up the prints soon after they were made. Millions of years later, when the decaying swamp plants were compressed into coal, the sand (itself pressed into sandstone,) held the shape of the foot.

A similar lucky mix of sand, water and pressure was needed to preserve dinosaur bones. Not all bones become fossils. So you can imagine the excitement in the scientific community when a fossil bed containing more than 12,000 dinosaur bones were discovered 30 miles south of Price. There were enough bones to qualify as a crime scene. To this day, my favorite spot in the Natural History Museum of Utah is the corner where 4 paleontologists on 4 TV screens square off with their earnest explanations for this massive bone pile-up.

    One says it was a watering hole that dried up so the dinosaurs died.

    “No,” says the second. There was too much water. The site became so muddy that the dinosaurs got stuck in the mud.

    The third offers up the idea that it could have been poison or a lethal germ that got in the water.

    “Oh, no,” says the fourth. The dinosaurs died somewhere else, and floodwaters floated them here.

It’s a mystery still waiting to be solved, and that’s what makes studying Utah’s past so interesting.

This is Mary Heers, and I’m Wild About Utah.

Credits:
Photos: Courtesy Mary Heers,
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Wild About Utah Postings

Sunnyside Coal Mines, UtahRails.net, Last Updated March 8, 2019, https://utahrails.net/utahcoal/utahcoal-sunnyside.php

Prehistoric Museum, USU Eastern Campus, Price, UT, https://eastern.usu.edu/prehistoric-museum/

Natural History Museum of Utah, Rio Tinto Center, University of Utah, https://nhmu.utah.edu/

Journey of the Potato

Journey of the Potato: Potato Harvest Courtesy & Copyright Eli Lucero, Photo Editor The Herald Journal, Logan Utah
Potato Harvest
Courtesy & Copyright Eli Lucero, Photo Editor
The Herald Journal, Logan Utah

Potato Museum: Potatoes Courtesy U.S. Department of Agriculture (USDA) Potatoes
Courtesy U.S. Department of Agriculture (USDA)

When I walked into the Potato Museum in Blackfoot, Idaho, the first thing that caught my eye was a drawing of a farmer in the High Andes of Peru working the ground with a foot harrow. This is exactly what the Spanish Conquistadors saw when they marched into the area in the 1500’s looking for gold.
What they found instead was the potato. The Spaniards took the potato back to Europe, from where it eventually made its way to North America in the 1600’s. As for Utah, Brigham Young bought the potato here. Richard Jensen, writing for Utah’s LDS historical Society, tells us: “About noon, on July 24, the five acre potato patch was plowed when the brethren commenced planting their seed potatoes. The first irrigation in Salt Lake Valley was for the benefit of the newly planted potatoes.”

What Brigham Young didn’t know was that a small wild cousin of the domesticated potato was already here. In 2017 an anthropologist, Lizbeth Lauderback, was able to dig out the tiny bits of organic matter wedged into the stone grinding tools used by the Native Americans near Escalante. The organic bits proved to be potato starches. The stone tools were 10,000 years old.

But now the domesticated potato took over the field. The hefty Idaho Russet caught the eye of the McDonald food chain. They produced a fascinating video for the museum from inside their factory where the peeled potatoes were dropped in a fast moving water slide, accelerating to 50, 60 miles per hour. And BAM, they hit the slicer and came out the other side as slender, shapely strips now well on their way to becoming fries.

Back in Cache Valley, I was lucky enough to get invited to the Beutler Farm in Dayton to watch the potato harvest. Out in the field a giant harvester was forging ahead, scooping potatoes off the ground, bouncing them onto conveyor belts, and then sending them tumbling out a side chute into the bed of a potato truck keeping step alongside. Just as the truck filled to capacity, another truck sidled up behind and matched its pace with the giant machine.

The whole scene reminded me of the more formal dances in my high school, where couples would glide around the dance floor until another boy would sidle up behind the dancing boy, tap him on the shoulder, and take his place.

Keeping the rhythm of the dance of the potato trucks was the somewhat urgent beat of a ticking clock–potatoes still in the fields after a freeze would be ruined.

Falling in behind a departing truck, I was led to the above ground storage cellar where the potatoes were being piled into a massive wall that towered over my head. The wall was 22 foot high., and the potatoes kept coming. When the cellar was finally full, the doors were closed, the temperature and humidity controls set, and 8 million pounds of seed potatoes were left to wait out the winter at a cool 38 degrees.

The trucks moved on to filling the next cellar.

I was left standing there, marveling at just how many potatoes there were, wanting to sing the praises of all growing things, especially this farm’s successful mix of seed and sweat, of soil, of sun, of rain.

This is Mary Heers and I’m Wild About Utah.

Credits:
Photos:
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Wild About Utah Postings

Idaho Potato Museum, https://idahopotatomuseum.com/

First use of wild potato in N. America Four Corners potato previously unknown part of ancient human diet, University of Utah, July 3, 2017, https://www.ars.usda.gov/ARSUserFiles/274/Bamberg%20Press/Four_Corners.pdf and Morning Ag Clips, https://www.morningagclips.com/first-use-of-a-wild-potato-in-n-america/

Eating a potato with 11,000 years of cultural history, Includes photos by BJ Nicholls, Imagine, The University of Utah, Spring 2021, https://magazine.utah.edu/issues/spring-2020/ancient-spuds/

Davis, James W. and Stillwell, Nikki Batch, Aristocrat in Burlap, A History of the Potato in Idaho, Idaho Potato Commission, December 1992, https://idahopotato.com/aristocrat-in-burlap/online/8

Harwell, William S. and Collier, Fred C., Manuscript History of Brigham Young 1847–1850, Collier’s Publishing Co., Jan 1, 1997https://books.google.com/books?id=u33Szoj3pFQC&pg=PA61&lpg=PA61#v=onepage&q&f=false
and https://www.amazon.com/Manuscript-History-Brigham-Young-1847-1850/dp/0934964041/

O’Connell, John, Idaho potato industry sees good signs for profitable fall crop, Intermountain Farm & Ranch, Post Register (Idaho Falls, ID), Jul 29, 2019, https://www.postregister.com/farmandranch/crops/potatoes/idaho-potato-industry-sees-good-signs-for-profitable-fall-crop/article_e9d4a968-96df-5bf5-9e53-ba6df41c5947.html

Flandro, Carly, From the classroom to the spud cellar: harvest break teaches life lessons, EastIdahoNews.com, September 22, 2022, https://www.eastidahonews.com/2022/09/from-the-classroom-to-the-spud-cellar-harvest-break-teaches-life-lessons/

Inside Look at Fire, Water, Wind

Inside Look at Fire, Water, Wind: 2022 SAQA Quilt Exhibition: WILD! Brigham City Museum of Art & History
View exhibit brochure in a new window:
2022 SAQA Quilt Exhibition: WILD!
Brigham City Museum of Art & History

Kodachrome Reflections Quilt Art Copyright Kimberly Lacy Courtesy Mary Heers Kodachrome Reflections
Quilt Art Copyright Kimberly Lacy
Used By Permission
All Rights Reserved
This Image Courtesy Mary Heers

A Terrible Beauty, Quilt Art & Image Copyright Sara Lamb, Photographer & Quilt Artist All Rights Reserved, This Image Courtesy Mary HeersA Terrible Beauty
Quilt Art & Image Copyright Sara Lamb, Photographer & Quilt Artist
Used By Permission
All Rights Reserved
This Image Courtesy Mary Heers

The Untamed Wind Quilt Art Copyright Jeannette Schoennagel, All Rights Reserved This Image Courtesy Mary Heers The Untamed Wind
Quilt Art Copyright Jeannette Schoennagel,
Used By Permission
All Rights Reserved
This Image Courtesy Mary Heers

One of the most important lessons I learned during last summer’s long hot afternoons was that the best place to appreciate Utah’s natural beauty can sometimes be inside an art museum.

As I stepped off the blistering hot sidewalk and through the doors of the Brigham City art and history museum, I breathed a sigh of relief. Not too hot, not too cold. Just right. A magical place where I could go inside to commune with nature. I had arrived at “Wild,” a juried quilt exhibit featuring some of the best work of fiber artists in the Intermountain West.

A quick glance around the room and I was immediately drawn to a silhouette of a mountain cabin Sunrise I thought, with the brilliant yellow and orange sky. Each quilt came with a typed note from the artist about the piece. I started to read. This was her cabin in the woods. Then came the shock. She had watched the breaking news on tv as wildfire licked the edges of her cabin and then engulfed it in flames. Suddenly the velvet strip running along the edge of the piece looked red hot. The bits of black yarn hand stitched off the nearby tree practically crackled with heat.

Somewhat cautiously I approached the next quilt. What looked like a kaleidoscope of soft sunset colors on a quiet pond turned out to be just that. I breathed a sigh of relief. The freehand swirling of the stitching made the water ripple. The setting sun bathed the air and water in deepening shades of pink. I actually had to resist the urge to run home, grab my fishing pole, and cast my line into the quilted watery pool.

Making the final turn around the room, I saw the piece I liked the best. Here was a tree with a painted white bark with bits of confetti leaves flying off. The rolling waves of stitching created a windy look that practically breezed through my hair. This piece was festive – the leaves dancing their way from one season into the next.

Fire, water and wind. I had felt the presence of these three cornerstones of the natural world inside this cozy museum.

But before I could get too comfortable, I heard a warning cry from one last artist. Her quilt was a strange patch of peacock blue in the middle of a rubbly hillside. Puzzled, I read her story. She loved to romp with her dog up and down this hillside close to her home. Then the patch of blue appeared. She approached it and discovered it was not an exotic bird. It was a stake driven into the heart of the hill. Within weeks the bulldozers and front end loaders arrived and ripped the earth apart.

As I stepped back into the hot outside world, I shouted out three small cheers for all the art museums that help us savor the natural beauty of our open spaces – and remind us to keep working to preserve them.

This is Mary Heers and I’m Wild about Utah

Credits:
Photos: Courtesy Mary Heers, Thank you to Kimberly Lacy, Sara Lamb and Jeannette Schoennagel for permission to display their artwork on this site and upr.org
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Wild About Utah Postings

2022 Quilt Exhibition: WILD! Brigham City Museum of Art & History, June 25-September 17, 2022https://www.brighamcitymuseum.org/2022quiltshow
Tel:435-226-1439, museum@bcutah.org
Address: 24 North 300 West, Brigham City, UT 84302

International Art Quilt Exhibition and Layered Voices Exhibition, Now Playing Utah, Utah Cultural Alliance, https://www.nowplayingutah.com/event/international-art-quilt-exhibition-and-layered-voices-exhibition/

WILD! (SAQA Regional), Studio Art Quilt Associates, Inc, Jun 25, 2022-Sep 17, 2022, https://www.saqa.com/art/exhibitions/wild-saqa-regional
View WILD! on ISSUU, Jun 20, 2022, https://issuu.com/saqaart/docs/wildfilp1-compressed/

Dunetts, LaVonne M, Wild!: SAQA CO/UT/WY, May 31, 2022, https://www.amazon.com/Wild-SAQA-CO-UT-WY/dp/B0B2WLQG4C/ref=sr_1_1?

Brigham City Museum of Art & History on FaceBook: https://www.facebook.com/BrighamCityMuseum/