Wild About Utah

January 4, 2016November 19, 2023

Utah’s Petroglyph Garden

Click to view Petroglyph Panel at the Fremont Indian State Park & Museum, Photo Courtesy Sevier County, Kreig Rasmussen, Photographer — Petroglyph Panel at Fremont Indian State Park & Museum
Photo Courtesy Sevier County
Kreig Rasmussen, Photographer

Hi, I’m Ru Mahoney with Stokes Nature Center in Logan Canyon.

Utah’s culture is rich with vestiges of our pioneer history, and the landscape is accented by visible signs of the European settlers who forged our modern communities. But the tapestry of Utah’s cultural heritage is interwoven with much older threads, as indelible and enduring as the landscape itself.

In the 1980’s, in the southwestern quadrant of central Utah, the construction of interstate 70 unearthed a secret over one thousand years old. The valleys and canyons of what is now Sevier County, already known as a seasonal thoroughfare for the Paiute, had an even older history as home to the largest community of Fremont Indians ever discovered. Influenced by their Anasazi cousins to the southwest, the Fremont culture encompassed a diverse group of tribes that inhabited the western Colorado Plateau and the Great Basin area from roughly 400 to 1350 A.D. Archaeologists tell us they were a people of ingenuity in their engineering, aggression in their social interactions, and lasting creativity in their artistic expression. Divergent theories on their fate suggest they drove the Anasazi out of the Four Corners region and eventually migrated to further landscapes, or that northern groups of Fremont peoples joined with bands of Shoshone and became the Ute Indians of the Uinta. Whatever the truth of their ultimate fate may be, nowhere is their history more tangible than at Fremont Indian State Park just south of Sevier, UT along I-70. This year-round state park offers visitors a treasure trove of artifacts and curated exhibits in an excellent visitor’s center. But the most authentic interaction with these past peoples comes from exploring the surrounding landscape.

Driving the winding road into Clear Creek Canyon, ghostly figures begin to emerge; pictographs painted in shades of ocher and umber, and pale petroglyphs carved into the canyon walls, reveal an archaic and epic account of Utah’s ancestral past. A unique creation story, in which a shrike leads the Fremont people from a dark and cold underworld through the stem of reed into the warm world above, plays out across the canyon walls. A craggy outcrop of rock in the shape of an eagle is said to be watching over the reed to the underworld below to insure nothing wicked escapes into our world. A concentric lunar calendar and an abundance of zoomorphics speak of a cultural identity conceived in relation to the broader astrological world, and a reverence for anthropomorphized neighbors such as bighorn sheep and elk. Spider Woman Rock juxtaposes a powerful figure of Native American mythology with the pedestrian humility of a nursing mother. And Cave of 100 Hands is a visceral exhibition of a humanity simultaneously reminiscent and divergent from our own.

While the Fremont culture is believed to have died out or been absorbed by other modern groups, Clear Creek Canyon and the rock art sites of Fremont Indian State Park are significant among the modern Kanosh and Koosharem Bands of the Paiute who began using the area and leaving their own indelible marks on the canyon walls after the disappearance of the Fremont peoples around 1400 A.D. On the vernal and autumnal equinox (occurring in the third or fourth week of March and September each year) the eagle rock casts its shadow over the reed rock at dawn, breathing life into ancient tales of our ancestral history.

Fremont Indian State Park is a notable destination for those interested in rock art sites, many of which are suited to families of all ages and mobility, including visitors with strollers and wheelchairs. Stop in the visitor’s center to borrow or purchase a guide to the petroglyphs and pictographs for deeper insight into the Fremont culture and an unforgettable glimpse into Utah’s past.

For Wild About Utah and Stokes Nature Center, I’m Ru Mahoney.

Credits:
Images: Courtesy Sevier County, Kreig Rasmussen, Photographer
Text: Ru Mahoney, Stokes Nature Center in Logan Canyon.

Additional Reading:

https://stateparks.utah.gov/parks/fremont-indian/

https://stateparks.utah.gov/stateparks/wp-content/uploads/sites/26/2015/02/Fremont_IndianBrochure.pdf

https://www.nps.gov/grba/learn/historyculture/fremont-indians.htm

https://www.thefurtrapper.com/fremont_indians.htm

Take the Pledge to Protect the Past, Utah State Historical Preservation Office, Department of Cultural & Community Engagement, State of Utah, https://ushpo.utah.gov/shpo/upan/

December 22, 2015November 29, 2023

Christmas Bird Count (CBC) and Climate Change

Click for a larger view of Frank M. Chapman, organizer of the first christmas bird count, Courtesy Wikimedia, Image in the public domain — Frank M. Chapman
Courtesy Wikimedia
Image in the public domain

On December 19th, I will have joined several others for an exciting day of counting bird species and numbers in our lovely, snowy valley. Our numbers will be entered on a database that will be shared with the world. The Christmas Bird Count began on Christmas Day in the year 1900 when ornithologist Frank M. Chapman, an officer in the nascent Audubon Society, proposed a new holiday tradition—a “Christmas Bird Census” that would count birds during the holidays rather than slaughtering them, which had been the past ritual.

The data collected by observers over the past 115 years has allowed researchers to study the long-term health and status of bird populations across North America. When combined with other surveys such as the Breeding Bird Survey, it provides a picture of how the continent’s bird populations have changed in time and space. This long term perspective is vital for conservationists. It informs strategies to protect birds and their habitat, and helps identify environmental issues with implications for people as well.

Along with the fun it brings, this year’s count will have special significance for our local Audubon chapter which was awarded a National Audubon grant for “spreading the word” on our changing climate’s impact on birds. Through the grant writing and implementation I have a heightened awareness of how bird populations and their spacial distribution are changing at an accelerating rate.

Audubon’s 2014 Climate Change Report is a comprehensive, first-of-its kind study that predicts how climate change could affect the ranges of 588 North American birds. Of the bird species studied, more than half are likely to be in trouble. The models indicate that 314 species will lose more than 50 percent of their current climatic range by 2080.

The Environmental Protection Agency (EPA) has included Audubon’s climate change work from CBC data as one of 26 indicators of climate change in their 2012 report.

In 2007, CBC data were instrumental in the development of Audubon’s Common Birds in Decline Report, which revealed that some of America’s most beloved and familiar birds have taken a nosedive over the past forty years.

142 species of concern are found in Utah including our state bird, the California gull and our the bald eagle, our national bird. Averaging the most recent 10 years, our valley has seen 16 species increase and 11 species decline. Of course we would need a take a much broader sweep to know the true story of these species, but our data may play a significant part in the overall analysis.
And please keep those bird feeders full as we enter the coldest month of the year!

This is Jack Greene for Wild About Utah.

Credits:
Image: Courtesy Wikimedia and in the public domain
Text: Jack Greene, Bridgerland Audubon Society

Additional Reading:

December 14, 2015June 27, 2016

Ancient Native Plant Relationships

Hi I’m T.J. Knudson and I’m Gilbert Young.

Stretching from the snowy peaks of the Wellsville Mountains, south to the sandstone shadows of Beaver Dam Wash, an ancient, native relationship provided unity to the diverse landscape. It is admired in the haunting tune of a wind pipe, it comports like a wool blanket; and its tapestry goes beyond the cliff art at Potash, and preceded John Wesley Powell and Brigham Young.

The Ute, Shoshone, Piute, Goshute, and Navajo cultures each echo today an enduring sustaining relationship bonded to the reliable plant life in a diverse land. this relationship sustained our state’s ancient culture, but little is understood about these gifted craftsmen in utilizing the materials and fibers.

In southeast Utah, the shepherd Navajo nation found a companion in the Prickly-Pear Cactus. Despite his short stature and sharp countenance, this ally was able to provide a fleshy, refreshing fruit. After rolling repeatedly through the direct to lose his spines, and soaking in water; there sparks a reaction of the most spectacular die; which was often orchestrated into many shades of red. Despite his stature on the lonely desert floor, the prickly pear creates a color that epitomizes the Navajo beauty and lives on to future generations.

As our ancient travelers would ascend upward into the hills, they would spend time in the Pinyon/Juniper woodland to collect pine nuts. Natives would also search for three other valuable resources: pine pitch, firewood and shelter materials. Underneath the pines and junipers plentiful sumac, can be found; the sumac branches provide the means to develop a midnight-black die and was also an essential basketry material. The third element needed to create this black color was ocher (okerr), a yellow mineral abundant in Navajo territory. The Pinyon-Juniper woodland met the needs of native people, much like modern superstores. Like these plants working together as a team, we all have an opportunity to join others in creating a unified community.

Prickly Pear Cactus, Opuntia ficus-indica — Prickly Pear Cactus
*Opuntia ficus-indica*
Courtesy US FWS

Across the canyons, a lone plant is found that nursed and comforted tribes long before the hospitals and prescriptions. Ephedra was a medicinal hero, when sharp cold winds swept the valleys. It could be boiled into a delicious tea that combated the common cold, allowing airways freedom of congestion. Also known as Brigham Tea, Natives shared this knowledge to the early Utah Pioneers in their time of need. The evergreen stems of Ephedra offer healing and a comfort that aided the native people and settlers. We also have the ability to heal our souls by intimately connecting ourselves to nature’s bounteous gifts. We can also provide healing to those who are in need of comfort and guidance.

If the past could speak to us today, it would remind us of connections and relationships that have been forgotten. Our hope today is that you may connect with these ancient relationships for yourselves. For more information, check out the Wild About Utah website.

For Wild About Utah this is T.J. Knutson and Gilbert Young.

Credits:
Images: Courtesy , Photographer
Text: T.J. Knutson and Gilbert Young.

Additional Reading:

December 9, 2015March 1, 2018

Western Banded Gecko

They might catch your eye as they dart under sagebrush. Or maybe startle you with their pushups on a boulder. Odds are, you won’t leave Arches or Canyonlands national parks without seeing a Western Banded Gecko.

These lizards can grow to six inches in length, though that’s on the large side, and half of that length might be their tail. Pale-pink and brown-banded translucent skin distinguishes Western Banded Geckos from all other lizards that live in the same desert surroundings, and their heads and bodies are speckled with light brown. The brown bands are vibrant in young Western Banded Geckos, and then change into blotches, or spots, with age.

The small scales that cover their body are soft to touch, and their slender toes leave no room for pads. Movable eyelids and vertical pupils also set them apart.

The Western Banded Gecko typically are spotted in rocky or sandy desert areas in the American Southwest. They are fond of open, dry deserts, desert grasslands, and catching the sun in the canyons. You can spot them, or one of the eight subspecies, in Glen Canyon National Recreation Area, as well as in Arches and Canyonlands.

Like other geckos, these lizards generally avoid the day heat and prefer the cool night air. They seek shelter during the day near or under rocks, burrows, and spaces beneath vegetative debris, and even trash piles if necessary. They frequent rodent burrows as they hunt insects, spiders, small arthropods, and baby scorpions.

The Western Banded Gecko stalks its prey, capturing and crushing it with its jaws in a final, fatal lunge. The small gecko is one of the few reptiles credited with controlling the scorpion population, by eating their young. The Western Banded Gecko can also mimic a scorpion, by turning its tail upwards, and waving it to repel predators.

In addition to this deception, Western Banded Geckos use other methods to divert predators. Be forewarned: if you plan on catching a Western Banded Gecko, be prepared to hear a squeak or chirp in disagreement. You may even see them detach their tail. Their tail has particular fracture planes, allowing the lizard to easily detach and escape, similar to other lizards. Blood vessels surrounding the tail rapidly close, so they can prevent blood loss. Regrowth of their tails happens quickly, as it is mostly made up of cartilage.

Though the tail serves as an easy escape route, it means a lot to a Western Banded Gecko: that’s where it stores its food and water. Their tail allows these animals to survive during lean times, up to nine months. As you can imagine, losing a tail puts their life in danger, so look but don’t touch.

For Wild About Utah and National Parks Traveler, I’m Kurt Repanshek.

Credits:
Image: Courtesy and Copyright Kurt Repanshek, www.nationalparkstraveler.com
Text: Kurt Repanshek, NationalParksTraveler.com.

Additional Reading: