Songs of Spring

Songs of Spring: American Robin Turdis migratorius Finding a high point to sing and be seen Courtesy US FWS Peter Pearsall, Photographer
American Robin
Turdis migratorius
Finding a high point to sing and be seen
Courtesy US FWS
Peter Pearsall, Photographer
In the time of year which straddles Winter’s Ligeti and Summer’s Scheherezade lies Spring’s perpetual Peer Gynt Morning Mood. Spring is a unique juxtaposition of an ubiquitous ice patch in the sun, a gentle awakening from a static annual ablution. And the birds are back, too.Songs of Spring

For me, my first indicator of spring is the call of the male American Robin who warbles from the top of the nearest thing with a top to warble from, melting away the dark with his song. He will announce himself as Spring incarnate, and honest be told I think he really is. He is staking his territory, newly thawed, full of history and habitat and hope. Warble on, dude.

The air brings music too, our next sign of the season. It is always in harmony with the budding willow velvet, emerging daffodil spears, and wild bedheaded leaves which survived winter under the weight of its blanket. It’s the kind of music that sends shivers up your spine and reminds you that the sun is here, yes, but don’t have your sweater too far away. You’ll need it.

The last in the choir of Spring is the low basso profundo of good mud; that sound you can smell. It’s not the mud caused by summer rainfall which is dainty underfoot and easily run off, but the mud which strives to be that of the marshlands. It is not privy to splishes nor splashes, but instead grips you by the ankle like a playful toddler upon their parent, and when pulled up, if you’re lucky enough to still have your boot, releases everyone’s favorite sound to make in a packed van. It echos with each step. The juvenile earth cannot be quelled.

So this spring, keep your ear to the ground, upon the wind, and towards the trees for the music of the free world. It is the wellspring source of all our own imitated humanly scores, and so will always be true. Happy Spring everyone. Get outside and lose a boot. You’ll be glad you did.

I’m Patrick Kelly and I’m Wild About Utah
 
Credits:

Images: Courtesy US FWS, Peter Pearsall, Photographer https://digitalmedia.fws.gov/digital/collection/natdiglib/id/29913/rec/10
Audio: Contains audio Courtesy & Copyright Kevin Colver and J. Chase and K.W. Baldwin.
Text:    Patrick Kelly, Director of Education, Stokes Nature Center, https://www.logannature.org
Included Links: Patrick Kelly & Lyle Bingham, Webmaster, WildAboutUtah.org

Additional Reading

Wild About Utah, Posts by Patrick Kelly

Stokes Nature Center in Logan Canyon, https://www.logannature.org/

Winter-Lux Aeterna, György Ligeti, A Capella Amsterdam, Daniel Reuss and Suzanne van Els, Posted December 9, 2009, https://www.youtube.com/watch?v=-iVYu5lyX5M
Spring-Peer Gynt, Suite No.1, Op.46 – 1. Morning Mood, Edvard Grieg, Berlin Philharmonic Orchestra, Herbert von Karajan, Deutsche Grammophone Stereo 410026-02, Posted July 30, 2018, https://www.youtube.com/watch?v=8fATAQtY9ag
Summer-Scheherazade, Rimsky Korsakov, Philadelphia Orchestra, Riccardo Muti, Posted April 10,2020 by Matthew Roman, https://www.youtube.com/watch?v=V4rylqeyD5c
Fall-The Fall of the Leaf (1963): II. Vivace, Imogen Holst, Posted September 21, 2017, Thomas Hewett Jones, https://www.youtube.com/watch?v=llkFjUm3nPI
Also suggested by Patrick:
The Trout(Die Forelle), Franz Schubert transcribed by Franz Liszt, Evgeny Kissin, Recorded at the Salle des Combins (Verbier, Switzerland), on 26 Jul. 2013. © Idéale Audience / MUSEEC, Medici.tv, https://youtu.be/HkGcNt3ohog

Silence

Silence: Kings Peak, Courtesy Wikimedia, Hyrum K. Wright, Photographer
Kings Peak,
in the High Uintas Wilderness,
Ashley National Forest
Courtesy Wikimedia
Hyrum K. Wright, Photographer
Licensed under GNU Free Documentation License

Silence is a rare commodity in the world we have created. Our senses are bombarded with all descriptions of sound to the point of sensory exhaustion. Likened to PTSD when violating a safe threshold, it may be time to find an escape.

Our avian friends are experiencing the same affliction.

As I was reminded on my early am canyon run, birds rely heavily on vocalizations to communicate. Lazuli buntings, warbling vireos, the barely audible blue gray gnatcatchers added pleasure to my uphill slog. But not singing for me, rather to attract mates, defend their territory from rivals, and warnings for predators.

The excess racket that humans contribute prompt some species to sing at different times and in different ways. In Mexico, researchers found that house finches raised the pitch of their lowest song notes in response to road noise, and also held them longer. A study published in Current Biology examined song changes of the great tit across ten European cities revealed that in each location the birds omitted the low-frequency portion of their call.

However helpful such biological tricks may be for some birds, the nearer one gets to a densely populated town or city, the less diverse the avian community becomes. Not all species have the ability to work around the commotion.

House sparrows, which have a significant low-frequency component to their songs, have suffered population declines of two thirds in Great Britain over the past few decades. A university of Colorado at Boulder study found that mourning doves and black-headed grosbeaks avoid nesting near sites where natural gas is being extracted, as they cannot tolerate the noisy compressors. Blood tests revealed that levels of corticosterone in birds closest to the gas compressors were far lower than normal. This initially came as a surprise to the researchers, because corticosterone is the bird equivalent of cortisol — the hormone that prompts the human body to release a flood of adrenaline, increasing blood pressure, and jolting our brain with sugar. Only 21 different species resided in the noisy sites, compared to 32 in the quiet ones.

Many of us have grown accustomed to the hustle and bustle of the 21st Century, perhaps to our demise, but the birds may have a lesson to teach us about the value of peace and quiet: just how frighteningly little of it remains. According to an audio ecologist study, fewer than five minutes go by before the average patch of wilderness is interrupted by the sounds of human interference.

After years of recording the natural environment in places all around the globe, Gordon estimates that fewer than a dozen truly silent places are left. It is not just the birds that are vulnerable, either. The breeding success of some Australian frog species is being impacted by traffic noise, and ocean noise pollution caused by boat engines. Who knows what variety of species may be affected? Noise might seem an unlikely player on the ecological stage, but further study is definitely warranted on impacts of the anthropogenic racket.

This is Jack Greene, and yes, I’m wild about Utah!

Credits:

Pictures: Courtesy Wikimedia, Hyrum K. Wright, Photographer
Sound: Courtesy Kevin Colver
Text: Jack Greene, Bridgerland Audubon Society

Additional Reading:

Leavitt, Shauna, Natural Quiet and Darkness in our National Parks, Wild About Utah, May 6, 2019, https://wildaboututah.org/natural-quiet-and-darkness-in-our-national-parks/

High Uintas Wilderness, Ashley National Forest, USDA Forest Service, https://www.fs.usda.gov/detail/ashley/specialplaces/?cid=fsm9_002443

Hempton, Gordon, SoundTracker.org, Atria Books/Simon & Schuster, Mar 2, 2010 (reprint), https://www.soundtracker.com/

Hempton, Gordon, One Square Inch of Silence, , https://www.amazon.com/One-Square-Inch-Silence-Preserve/dp/1416559108/

Wild Neoteny

Annual Wildflower Festival Cedar Breaks National Monument Courtesy National Park Service, Cedar Breaks National Monument
Annual Wildflower Festival
Cedar Breaks National Monument
Courtesy National Park Service, Cedar Breaks National Monument
“Hey, stop the truck!” my wife called from the passenger seat, her nose pressed against the window. I already knew what this was about; she was out the door before the dust had cleared the hood, kneeling in the grass. While she hovered over something newly found with purple petals, I stared out across the high, open meadow of blooming wildflowers, the urge to run surging into my feet. I turned at her exclamation several seconds later, half a football field of colored space between us now. Arms spread wide; grins from ear to ear. In a field of wildflowers, we were kids again.

Scientists call it neoteny, the retention of juvenile features in the adult of a species—basically, the harboring of a playful nature into adulthood. The research into the benefits of play, especially outdoor play, is becoming more replete by the day. In humans, play puts the right hemisphere of the brain into gear, that portion responsible for artistic and creative notions, imagination and insight, and holistic thought. The cerebellum and frontal lobes light up as well, increasing attunement to coordination, executive functioning, and contextual memory development. Neoteny, scientists say, is the key to a species’ adaptability and, therefore, its survival.

Alpine Pond Upper Flowers Cedar Breaks National Monument Courtesy National Park Service, Cedar Breaks National Monument
Alpine Pond Upper Flowers
Cedar Breaks National Monument Courtesy National Park Service, Cedar Breaks National Monument
Wild neoteny could be the term used to describe the human affinity to explore one’s natural surroundings, to wander off into the hills in search of something new and interesting, to learn the nuance of a place and to gain some intimacy with it—to call it home. We do that, I think, when we go on hikes into the wild hinterlands, catapult ourselves down the turbulent waters of our rivers, or climb the rock faces we stumble upon. It’s an adrenaline rush to be sure, a high on life as they say; but it’s also an act of survival—and of remaining human.

Robin Moore, a professor at North Carolina State University, says “the natural environment is the principle source of sensory stimulation….” “Sensory experiences,” he says, “link [our] exterior world with [our] interior, hidden, affective world.” The outdoor environment is a medium of human connection where, as Moore puts it, the “freedom to explore and play…through the senses…is essential for healthy development….” Dr. Stuart Brown, clinical researcher and founder of The National Institute for Play, behooves us in his Ted Talk on the subject to explore our individual histories of play. If you close your eyes and imagine yourself at play, where are you? The open water, a deep forest, a mountain peak, or maybe a field of wildflowers?

In his national bestseller, Last Child in the Woods, Richard Louv calls nature a “reset button.” It is the place where we are reminded of ourselves and our purpose. Australian musician Xavier Rudd sings, “Take a stroll to the nearest water’s edge/Remember your place.” It’s often proffered that in a time of industrial expectation and hyper-communication, we need the wild spaces more than ever. There’s some truth to that; but I think I’d go play there anyway, even if it wasn’t to escape the, quote-unquote, “workaday life.” I’m most human when I’m running through a field of blooming wildflowers.

I’m Josh Boling, and I’m Wild About Utah.

Credits:
Photos: Courtesy US National Park Service, Cedar Breaks National Monument
Text: Josh Boling, 2018

Sources & Additional Reading

Cedar Breaks, Plan Your Visit, National Park Service, https://www.nps.gov/cebr/planyourvisit/index.htm

Cedar Breaks National Monument, National Park Service, https://www.nps.gov/cebr/index.htm

Neoteny, Reference Terms, ScienceDaily, https://www.sciencedaily.com/terms/neoteny.htm

Consider Soundscapes

Scoundscape Recording Equipment Courtesy US NPS
Scoundscape Recording Equipment
Courtesy US NPS
Imagine yourself in your favorite place outside. What sounds do you expect to hear? The sound of water rushing over rocks? Crickets chirping? The wind softly blowing through the trees? These are some of the natural sounds you might expect to hear, but it might not always work out that way. Recreation areas are often filled with anthropogenic noises like vehicles, people talking, music playing, machinery, and more.

Checking sound equipment set up near the McKinley Bar Trail, Denali National Park Courtesy US NPS
Checking sound equipment set up near the McKinley Bar Trail, Denali National Park
Courtesy US NPS
Soundscapes, or the acoustic environment, are not often thought of as a natural resource, but are actually an important part of the environment. A common reason people go to nature is for peace and quiet. Quiet is considered a valuable resource. Humans have grown accustomed to a constant background of noise, but it is not always good. Escaping to nature can potentially provide relief from noise pollution, but natural soundscapes are becoming less and less common.

Noise pollution significantly impacts human health. Physical and mental impacts can include hearing disorders, sleep disruption, and even interruptions in the cardiovascular and endocrine systems. Sound is more important than you might realize.

Soundscapes may be important to humans, but they are arguably even more important for wildlife. Many animals depend on hearing for warning them of danger, communicating with other animals, and locating prey. Birds and other animals can hear noises from very far away, and noise interference can disrupt them easily. Behavioral responses may include leaving an area for a brief time or leaving an area for good.

Through evolution, some animals have lost sight, because it was not a necessary trait in some situations. Up to this point, there has been no animal discovered that has lost its hearing through evolution. This illustrates how vital the acoustic environment is to wildlife and ecosystem health.

Barn Owl Courtesy US FWS
Barn Owl Courtesy US FWS
Think of a Barn Owl. Hunting in the dark, they rely on the tiniest rustle to lead them to their prey. Their sense of hearing is fine-tuned and adapted specially for this purpose. One ear hole is slightly higher than the other, which allows them to perceive depth through hearing. Also, one ear hole can hear sounds below them on the ground, and the other can hear the sounds in the air. Just by listening, an owl can locate a mouse far below it on the ground. Noise pollution would make it nearly impossible for owls to hunt.

Owls are just one example of noise pollution negatively effecting wildlife. As soundscapes are disturbed, wildlife will be displaced or even die. Public land managers now have the challenge of managing soundscapes. This is a difficult, but soundscapes are important for humans recreating, wildlife, and whole ecosystems.

As William Shakespeare said, “The earth has music for those who listen.”

This is Aspen Flake and I am Wild About Utah.

Credits:
Photos: Courtesy US NPS ans US FWS
Audio: Courtesy and Copyright Kevin Colver
Text: Aspen Flake

Additional Reading & Listening

https://naturalheroes.org/videos/natures-orchestra/

Bernie Krause, Recording Artist:
https://www.wildsanctuary.com/

Bryan C. Pijanowski, Luis J. Villanueva-Rivera, Sarah L. Dumyahn, Almo Farina, Bernie L. Krause,
Brian M. Napoletano, Stuart H. Gage, and Nadia Pieretti, Soundscape Ecology: The Science
of Sound in the Landscape, BioScience, Volume 61, Issue 3, 1 March 2011, Pages 203–216, https://www.wildsanctuary.com/BioScience2011-SoundscapeEcology.pdf or https://academic.oup.com/bioscience/article/61/3/203/238162

Wild Soundscapes: Discovering the Voice of the Natural World, Revised Edition Paperback – May 24, 2016
by Bernie Krause (Author),‎ Roger Payne (Foreword) https://www.amazon.com/Wild-Soundscapes-Discovering-Natural-Revised/dp/0300218192

Voices of the Wild: Animal Songs, Human Din, and the Call to Save Natural Soundscapes (The Future Series) Hardcover – August 25, 2015
by Bernie Krause (Author) https://www.amazon.com/Voices-Wild-Animal-Natural-Soundscapes/dp/0300206313

The Great Animal Orchestra: Finding the Origins of Music in the World’s Wild Places Paperback – March 12, 2013
by Bernie Krause (Author) https://www.amazon.com/Great-Animal-Orchestra-Finding-Origins/dp/031608686X/

Kevin Colver, Recording Artist:

Know Your Bird Sounds: Common Western Species (with audio CD) (The Lang Elliott Audio Library) Paperback – January 10, 2008
by Lang Elliott (Author),‎ Kevin Colver (Contributor) https://www.amazon.com/Know-Your-Bird-Sounds-Western/dp/0811734463/

Songbirds of Yellowstone and the High Rockies Audio CD – January 1, 1996
by Kevin J. Colver (Author) https://www.amazon.com/Songbirds-Yellowstone-Rockies-Kevin-Colver/dp/1929797079/ or https://wildstore.wildsanctuary.com/collections/all-albums/products/songbirds-of-yellowstone-and-the-high-rockies

Songbirds of the Southwest Canyon Country Audio CD – January 1, 1994
by Kevin J. Colver (Author) https://www.amazon.com/Songbirds-Southwest-Canyon-Country-Colver/dp/1929797036/ or https://wildstore.wildsanctuary.com/products/songbirds-of-the-southwest-canyon-country

Songbirds of the Rocky Mountain Foothills Audio CD – January 1, 1994
by Kevin J. Colver (Author) https://www.amazon.com/Songbirds-Rocky-Mountain-Foothills-Colver/dp/192979701X/ or https://wildstore.wildsanctuary.com/products/songbirds-of-the-rocky-mountain-foothills

Songbirds of Yosemite and the Sierra Nevadas by Kevin J. Colver (Author) https://www.amazon.com/Songbirds-Yosemite-Sierra-Nevadas-Colver/dp/B00004T1L2/, or
https://wildstore.wildsanctuary.com/products/songbirds-of-yosemite-and-the-sierra-nevadas

Frogs and Toads, Kevin J Colver, August 16, 2011 https://www.amazon.com/Frogs-Toads-Kevin-J-Colver/dp/B005I0C4ZQ/

https://wildstore.wildsanctuary.com/products/katmai-wilderness
https://wildstore.wildsanctuary.com/products/saguaro-sunrise
https://wildstore.wildsanctuary.com/products/voice-of-the-arctic-refuge
https://wildstore.wildsanctuary.com/products/starvation-creek-utah

Jeff Rice, Recording Artist:
Dobner, Jennifer, LISTENING TO THE NATURAL WEST
The U’s Western Soundscape Archive captures the animal and ambient music of the wild., CONTINUUM
THE MAGAZINE OF THE UNIVERSITY OF UTAH, Summer 2014, https://continuum.utah.edu/web-exclusives/listening-to-the-natural-west/

Vanderbilt, Tom, You Need to Hear This, Recording engineer Jeff Rice is on a mission to preserve the sounds of nature. Why? Listening to them might actually make us healthier., OutsideOnline.com, 20 Oct 2011, https://www.outsideonline.com/1887466/you-need-hear

https://www.nps.gov/subjects/sound/index.htm

A Symphony of Sounds, US National Park Service (US NPS), https://www.nps.gov/articles/denali-understanding-managing-soundscapes.htm