Biome Archives - Page 2 of 40

October 10, 2022October 12, 2022

Haunted in the Forest

Leaf Skeleton Courtesy & Copyright Shannon Rhodes, Photographer — Witchy Ghost of a Plant
Courtesy & Copyright Shannon Rhodes, Photographer

Leaf Skeleton
Courtesy & Copyright Shannon Rhodes, Photographer

Jaw Bone
Courtesy & Copyright Shannon Rhodes, Photographer

Tree Canker
Courtesy & Copyright Shannon Rhodes, Photographer

Costume Change Chrysalis
Courtesy & Copyright Shannon Rhodes, Photographer

When life throws scary at you, what do you do? As we increasingly consider mental and emotional health issues and strategies, I find that my answer is that I go to the forest. Of course, I go there when things are going smoothly too, but I agree with Henry David Thoreau when he wrote, “When I would recreate myself, I seek the darkest wood.” He, in fact, recommended the “most dismal swamp,” but that is a little too slimy for me. I will stick with solid soil.

A few weeks ago I spied a bat dangling from the bricks on my front porch as I gazed at the moon just as I had asked my young students to do. It reminded me of how in Janell Cannon’s picture book Stellaluna, a young bat survives a predatory owl’s attacks, falling “down, down…faster and faster, into the forest below.” She clings to a branch until her strength gives out, then “down, down again she dropped” into an unlikely predicament. Bats and harvest moons are iconic figures of this season, and as I ventured out for a sanity walk in the Cache National Forest, everywhere I looked I saw more.

Fall forests are full of chilling scenes, and I was first struck by a gruesome sap bleed from a gaping evergreen canker. The yellow ooze seeping seemed beautiful somehow. I don’t remember ever being so captivated by a wounded plant, and because I lingered, I also spotted a chrysalis containing a caterpillar’s costume change on a neighboring tree. Next to that were the witchy remains of other withering forbs.

Beneath my hiking boots was a toothy jaw grinning amid fragile leaf skeletons scattered on the forest floor. Even as I swapped away the cobwebs I didn’t see ahead until it was too late, the eerie beauty of nature eased the tormenting worries in my life. There’s a Chinese Proverb that says, “You can only go halfway into the darkest forest; then you are coming out the other side.”

A good walk outside is great for the distressed heart and mind. I needed to find the unlikely power in autumn icons. As Mary Shelley wrote for Frankenstein, “Beware; for I am fearless, and therefore powerful.” Next time you are frightened by the unknowns or scarred by the realities, consider falling into a forest.

I’m Shannon Rhodes, and I’m wild about Utah.

Credits:

Images: Courtesy & Copyright Shannon Rhodes, Photographer
Text & Voice: Shannon Rhodes, Edith Bowen Laboratory School, Utah State University https://edithbowen.usu.edu/
Additional Reading Links: Shannon Rhodes

Additional Reading

Wild About Utah Posts by Shannon Rhodes https://wildaboututah.org/author/shannon-rhodes/

Cannon, Janell. 1993. Stellaluna. New York: Harcourt Brace & Company. https://www.amazon.com/Stellaluna-Janell-Cannon/dp/0152062874/ref=sr_1_1

Shelley, Mary Woolstonecraft. 1818. Frankenstein, or the Modern Prometheus. https://www.gutenberg.org/files/84/84-h/84-h.htm

Thoreau, Henry David and Brooks Atkinson. 2000. Walden and Other Writings. New York: Modern Library. https://www.amazon.com/Walden-Other-Writings-Modern-Library/dp/0679600043

September 26, 2022September 28, 2022

Inside Look at Fire, Water, Wind

Kodachrome Reflections Quilt Art Copyright Kimberly Lacy Courtesy Mary Heers — View exhibit brochure in a new window:
2022 SAQA Quilt Exhibition: WILD!
Brigham City Museum of Art & History

Kodachrome Reflections
Quilt Art Copyright Kimberly Lacy
Used By Permission
All Rights Reserved
This Image Courtesy Mary Heers

A Terrible Beauty
Quilt Art & Image Copyright Sara Lamb, Photographer & Quilt Artist
Used By Permission
All Rights Reserved
This Image Courtesy Mary Heers

The Untamed Wind
Quilt Art Copyright Jeannette Schoennagel,
Used By Permission
All Rights Reserved
This Image Courtesy Mary Heers

One of the most important lessons I learned during last summer’s long hot afternoons was that the best place to appreciate Utah’s natural beauty can sometimes be inside an art museum.

As I stepped off the blistering hot sidewalk and through the doors of the Brigham City art and history museum, I breathed a sigh of relief. Not too hot, not too cold. Just right. A magical place where I could go inside to commune with nature. I had arrived at “Wild,” a juried quilt exhibit featuring some of the best work of fiber artists in the Intermountain West.

A quick glance around the room and I was immediately drawn to a silhouette of a mountain cabin Sunrise I thought, with the brilliant yellow and orange sky. Each quilt came with a typed note from the artist about the piece. I started to read. This was her cabin in the woods. Then came the shock. She had watched the breaking news on tv as wildfire licked the edges of her cabin and then engulfed it in flames. Suddenly the velvet strip running along the edge of the piece looked red hot. The bits of black yarn hand stitched off the nearby tree practically crackled with heat.

Somewhat cautiously I approached the next quilt. What looked like a kaleidoscope of soft sunset colors on a quiet pond turned out to be just that. I breathed a sigh of relief. The freehand swirling of the stitching made the water ripple. The setting sun bathed the air and water in deepening shades of pink. I actually had to resist the urge to run home, grab my fishing pole, and cast my line into the quilted watery pool.

Making the final turn around the room, I saw the piece I liked the best. Here was a tree with a painted white bark with bits of confetti leaves flying off. The rolling waves of stitching created a windy look that practically breezed through my hair. This piece was festive – the leaves dancing their way from one season into the next.

Fire, water and wind. I had felt the presence of these three cornerstones of the natural world inside this cozy museum.

But before I could get too comfortable, I heard a warning cry from one last artist. Her quilt was a strange patch of peacock blue in the middle of a rubbly hillside. Puzzled, I read her story. She loved to romp with her dog up and down this hillside close to her home. Then the patch of blue appeared. She approached it and discovered it was not an exotic bird. It was a stake driven into the heart of the hill. Within weeks the bulldozers and front end loaders arrived and ripped the earth apart.

As I stepped back into the hot outside world, I shouted out three small cheers for all the art museums that help us savor the natural beauty of our open spaces – and remind us to keep working to preserve them.

This is Mary Heers and I’m Wild about Utah

Credits:
Photos: Courtesy Mary Heers, Thank you to Kimberly Lacy, Sara Lamb and Jeannette Schoennagel for permission to display their artwork on this site and upr.org
Featured Audio: Courtesy & Copyright © Friend Weller, Utah Public Radio upr.org
Text: Mary Heers, https://cca.usu.edu/files/awards/art-and-mary-heers-citation.pdf
Additional Reading: Lyle Bingham, https://bridgerlandaudubon.org/

Additional Reading

Wild About Utah, Mary Heers’ Wild About Utah Postings

2022 Quilt Exhibition: WILD! Brigham City Museum of Art & History, June 25-September 17, 2022https://www.brighamcitymuseum.org/2022quiltshow
Tel:435-226-1439, museum@bcutah.org
Address: 24 North 300 West, Brigham City, UT 84302

International Art Quilt Exhibition and Layered Voices Exhibition, Now Playing Utah, Utah Cultural Alliance, https://www.nowplayingutah.com/event/international-art-quilt-exhibition-and-layered-voices-exhibition/

WILD! (SAQA Regional), Studio Art Quilt Associates, Inc, Jun 25, 2022-Sep 17, 2022, https://www.saqa.com/art/exhibitions/wild-saqa-regional
View WILD! on ISSUU, Jun 20, 2022, https://issuu.com/saqaart/docs/wildfilp1-compressed/

Dunetts, LaVonne M, Wild!: SAQA CO/UT/WY, May 31, 2022, https://www.amazon.com/Wild-SAQA-CO-UT-WY/dp/B0B2WLQG4C/ref=sr_1_1?

Brigham City Museum of Art & History on FaceBook: https://www.facebook.com/BrighamCityMuseum/

September 12, 2022September 12, 2022

Desert Desserts

Prickly Pear Cactus Courtesy & © Shannon Rhodes, Photographer — Sacred Datura Moon Flower
Courtesy & © Shannon Rhodes, Photographer

Prickly Pear Cactus
Courtesy & © Shannon Rhodes, Photographer

Mormon Tea (Ephedra) From Comb Ridge
Courtesy & © Shannon Rhodes, Photographer

Limestone Crinoids
Courtesy & © Shannon Rhodes, Photographer

My proofreader’s eye has often spotted “dessert” misspelled as “desert,” and to some, those two concepts couldn’t be more dissimilar. During my three days in and along a short 27-river-mile stretch of Utah’s San Juan River this month though, I marveled at the menu.

Terry Tempest Williams captures what she calls “small devotions of the desert alphabet” in her book “The Illuminated Desert.” She lists lizards languishing in desert heat, ravens and rattlesnakes amid the red rocks. A fascinating one, the Sacred Datura, blooms only at night and attracts pollinators like the hawkmoth with its showy white blossoms in the moonlight. If it is food you are after, however, avoid this poisonous temptation. Instead, try a juicy prickly pear cactus pad once you have removed the long, sharp spines. Some say it tastes like watermelon, but it tastes like a banana to me.

Along the path to San Juan Hill atop Comb Ridge, I also find ephedra, a shrub that carries out photosynthesis in its green branches, that has traditionally been said to have been used medicinally and brewed, hence the common name Mormon tea. Some, like Brock Cheney who has researched the claim that Brigham Young advocated drinking tea made from boiling the stems, argue that Young’s “composition tea” was not made from the Mormon tea plant, and once you try it, the bitterness will tell you why. Having not ever had a sip myself, I can say that the Mormon tea shrub does sprinkle brilliant green to the landscape like a garnish.

“Lie down on your backs and try to feel what is special about this place.” That’s the challenge in Joseph Cornell’s book “Sharing Nature with Children,” but it is equally rewarding to do as an adult. Lounging in the raft as another rows, I look from the sediment-laden river that reminds me of watery chocolate pudding thanks to recent rainstorms, to the great blue heron standing as a guide, flying ahead and waiting for us to catch up, just to fly ahead again. I watch with wonder as the western tanager males, songbirds with yellow bodies and black wings, heads aflame with red-orange, flutter among the salt cedars.

This oasis offers a promise of quiet away from the commotion of my city life as the desert bighorn sheep nod from the coyote willow. Even after studying the scorpions in the sand illuminated by flashlight, I stretch out and nibble at the buffet of constellations above me in the sky.

The crinoids encased in the limestone boulders along the riverbank the next morning remind me that this place was once for millions of years, actually, an ancient inland sea. I find deliciousness here in the dry heat, the muddy grit, as a guest who will return, hungry for more.

For Wild About Utah, I’m Shannon Rhodes.

Credits:
Images: Courtesy & Copyright Shannon Rhodes, Photographer
Audio: Courtesy & © Kevin Colver https://wildstore.wildsanctuary.com/
Text: Shannon Rhodes, Edith Bowen Laboratory School, Utah State University https://edithbowen.usu.edu/
Additional Reading Links: Shannon Rhodes

Additional Reading:

Cheney, Brock. 2009. Mormon Tea! Plain but Wholesome: Adventures in Mormon Pioneer Food. https://pioneerfoodie.blogspot.com/2009/02/in-news-mormon-tea.html

Cornell, Joseph. 1998. Sharing Nature With Children. DAWN Publications. https://www.sharingnature.com/sharing-nature.html

Eldredge, Sandra. 1992. Geologic Resources of San Juan County. Department of Natural Resources Utah Geologic Survey. https://ugspub.nr.utah.gov/publications/public_information/PI-14.pdf

Larese-Casanova, Mark. 2011. Amazing Adaptations of Utah’s Desert Plants. https://wildaboututah.org/amazing-adaptations-of-utahs-desert-plants/

U.S. Forest Service. Sacred Datura. https://www.fs.usda.gov/wildflowers/beauty/Sky_Islands/plants/Datura_wrightii/index.shtml

https://www.fs.usda.gov/wildflowers/ethnobotany/Mind_and_Spirit/datura.shtml

Utah State University Extension. Salt cedar and coyote willow. https://extension.usu.edu/rangeplants/shrubs-and-trees/Saltcedar

https://extension.usu.edu/rangeplants/shrubs-and-trees/CoyoteWillow

Williams, Terry Tempest. 2008. The Illuminated Desert. Canyonlands Natural History Association. https://www.amazon.com/Illuminated-Desert-Terry-Tempest-Williams/dp/0937407119

July 11, 2022July 18, 2022

Purple Wildflower Poetry

Shooting Star Courtesy & © Shannon Rhodes, Photographer — Manti LaSal Majesty
Courtesy & © Shannon Rhodes, Photographer

Shooting Star
Courtesy & © Shannon Rhodes, Photographer

Larkspur
Courtesy & © Shannon Rhodes, Photographer

Scorpionweed
Courtesy & © Shannon Rhodes, Photographer

There are two lines in the patriotic hymn “America the Beautiful” that really sing to me. One is “Who more than self their country loved,” honoring history’s heroes, and the other I exclaim each time I stumble upon an alpine meadow in bloom. Decades ago my friend Amberly and I borrowed the phrase “purple mountain majesties” as we gazed at the larkspur dotting our way to Emerald Lake, and it has been a common exclamation for me ever since. The purple aster, bluebell, clover, monkshood, penstemon, and silvery lupine also complement the evergreens and azure skies in a way that takes my breath away, begging to be captured by camera, paint, and pen.

This fourth of July I compose this piece sitting not too far away from the Colorado mountain peak where Katharine Lee Bates sat in 1893 as she penned the first draft of her poetic “Oh beautiful for spacious skies” stanzas. She had traveled from her post teaching English at Wellesley College in Massachusetts, visiting Niagara Falls, Chicago’s Columbian Exposition, and Kansas grainfields on her first trip west to Colorado Springs, where she would be teaching a summer school session.

She and her fellow instructors took a “merry expedition” to an overlook on Pikes Peak and were immediately struck by the beauty. “It was then and there,” she wrote, “as I was looking out over the sea-like expanse of fertile country spreading away so far under those ample skies, that the opening lines of the hymn floated into my mind.”

Two years after setting the manuscript aside as busy writers often do, she revisited her notebook scribblings and published what she described as “a more literary and ornate” version than we now know it for that fourth of July. In a letter dated October 8, 1919, acquaintance Robert Frost wrote to Miss Bates his sentiment that “free rhythms are as disorderly as nature.” I will admit that most of my poems, Mr. Frost, do not follow strict rules of rhyme and meter like yours and Katharine’s do, but just the same I admire the higgledy-piggledy scorpionweed’s violet bottlebrush clusters and haphazardness of the larkspur petals standing before me.

Frost’s third poetry collection titled “Mountain Interval” inspires me to record the explosive colors of the wildflowers I see as I watch fireworks spatter and scatter against the silhouette of the Rockies, mimicking the shootingstar flowers with their purple petals swept backwards that punctuate the path. Bates wasn’t writing about wildflowers as much as she was the geologic wonders and expansive views from 14,000 feet, but I can feel poems emerging from both.

In Nancy Churnin’s picture book biography “For Spacious Skies,” Katharine Lee Bates says, “Most glorious scenery I ever beheld,” and each wildflower cascading lavender from its sparkler-wand stem molds the makings of other poems celebrating the majestic allure of this land.

I’m Shannon Rhodes, and I’m wild about Utah.

Credits:
Images: Courtesy & Copyright Shannon Rhodes, Photographer
Additional Audio: Courtesy & © Kevin Colver https://wildstore.wildsanctuary.com/collections/special-collections as well as J. Chase and K.W. Baldwin https://upr.org.
Text: Shannon Rhodes, Edith Bowen Laboratory School, Utah State University https://edithbowen.usu.edu/
Additional Reading Links: Shannon Rhodes

Additional Reading:

Bates, Katharine Lee. ca. 1925. Falmouth Historical Society’s Museums on the Green. Massachusetts. https://museumsonthegreen.org/wp-content/uploads/Katharine-Lee-Bates-describes-how-she-wrote-America-The-Beautiful-after-1922-signed.pdf

Churnin, Nancy. 2020. For Spacious Skies: Katharine Lee Bates and the Inspiration for “America the Beautiful.” Park Ridge, Illinois: Albert Whitman and Company. https://www.nancychurnin.com/forspaciousskies, https://www.nancychurnin.com/thekidsareallwrite/2019/8/3/happy-birthday-wishes-for-katharine-lee-bates-poet-of-america-the-beautiful

Author, Nancy Churnin, reads her new book For Spacious Skies! https://www.youtube.com/watch?v=cXyANvok7sE

Frost, Robert. 1919. Letter from Robert Frost, Amhurst, Massachusetts, to Katharine Lee Bates: autograph manuscript signed 1919, October 8. Wellesley College Digital Repository Special Collections. https://repository.wellesley.edu/object/wellesley31310

Frost, Robert. 1916. Mountain Interval. New York: Henry Holt and Company. https://www.gutenberg.org/files/29345/29345-h/29345-h.htm

Kratz, Andrew. Nuttall’s Larkspur. U.S. Department of Agriculture’s Forest Service. https://www.fs.fed.us/wildflowers/plant-of-the-week/delphinium_nuttallianum.shtml

Flowers in the Aspen Groves, Rocky Mountains, Utah, U.S. Department of Agriculture’s Forest Service. https://www.fs.fed.us/wildflowers/beauty/aspen/flowers/utah.shtml

Ponder, Melinda M. 2017. Katharine Lee Bates: From Sea to Shining Sea. Chicago: Windy City Publishers. https://www.melindaponder.com/the-book.html

The Gilder Lehrman Institute of American History. America the Beautiful: 1893: A Spotlight on a Primary Source by Katharine Lee Bates. https://www.gilderlehrman.org/history-resources/spotlight-primary-source/america-beautiful-1893

Westervelt, Eric. 2019. Greatness Is Not a Given: America the Beautiful Asks How We Can Do Better. NPR’s American Anthem. https://www.npr.org/2019/04/04/709531017/america-the-beautiful-american-anthem